The reader has, of course, guessed that M. Madeleine is Jean Valjean. We have already looked into the depths of this conscience, and the moment has arrived to look into them again. We do not do this without emotion or tremor, for there is nothing more terrifying than this species of contemplation. The mental eye can nowhere find greater brilliancy or greater darkness than within man; it cannot dwell on anything which is more formidable, complicated, mysterious, or infinite. There is a spectacle grander than the sea, and that is the sky; there is a spectacle grander than the sky, and it is the interior of the soul. To write the poem of the human conscience, were the subject only one man, and he the lowest of men, would be to resolve all epic poems into one supreme and final epic. Conscience is the chaos of chimeras, envies, and attempts, the furnace of dreams, the lurking-place of ideas we are ashamed of; it is the pandemonium of sophistry, the battlefield of the passions. At certain hours look through the livid face of a reflecting man, look into his soul, peer into the darkness. Beneath the external silence, combats of giants are going on there, such as we read of in Homer; _mêlées_ of dragons and hydras and clouds of phantoms, such as we find in Milton; and visionary spirals, as in Dante. A sombre thing is the infinitude which every man bears within him, and by which he desperately measures the volitions of his brain and the actions of his life. Alighieri one day came to a gloomy gate, before which he hesitated; we have one before us, on the threshold of which we also hesitate, but we will enter.