One fact we must not omit mentioning is that he possessed a physical strength with which no one in the bagne could compete. In turning a capstan, Jean Valjean was equal to four men; he frequently raised and held on his back enormous weights, and took the place at times of that instrument which is called a jack, and was formerly called _orgueil_, from which, by the way, the Rue Montorgueil derived its name. His comrades surnamed him Jean the Jack. Once when the balcony of the Town Hall at Toulon was being repaired, one of those admirable caryatides of Puget's which support the balcony, became loose and almost fell. Jean Valjean, who was on the spot, supported the statue with his shoulder, and thus gave the workmen time to come up. His suppleness even exceeded his vigor. Some convicts, who perpetually dream of escaping, eventually make a real science of combined skill and strength; it is the science of the muscles. A full course of mysterious statics is daily practised by the prisoners, those eternal enviers of flies and birds. Swarming up a perpendicular, and finding a resting-place where a projection is scarcely visible, was child's play for Jean Valjean. Given a corner of a wall, with the tension of his back and hams, with his elbows and heels clinging to the rough stone, he would hoist himself as if by magic to a third story, and at times would ascend to the very roof of the bagne. He spoke little and never laughed; it needed some extreme emotion to draw from him, once or twice a year, that mournful convict laugh, which is, as it were, the echo of fiendish laughter. To look at him, he seemed engaged in continually gazing at something terrible. He was, in fact, absorbed. Through the sickly perceptions of an incomplete nature and a crushed intellect, he saw confusedly that a monstrous thing was hanging over him. In this obscure and dull gloom through which he crawled, wherever he turned his head and essayed to raise his eye, he saw, with a terror blended with rage, built up above him, with frightfully scarped sides, a species of terrific pile of things, laws, prejudices, men, and facts, whose outline escaped him, whose mass terrified him, and which was nothing else but that prodigious pyramid which we call civilization. He distinguished here and there in this heaving and shapeless conglomeration--at one moment close to him, at another on distant and inaccessible plateaux--some highly illumined group;--here the jailer and his stick, there the gendarme and his sabre, down below the mitred archbishop, and on the summit, in a species of sun, the crowned and dazzling Emperor. It seemed to him as if this distant splendor, far from dissipating his night, only rendered it more gloomy and black. All these laws, prejudices, facts, men, and things, came and went above him, in accordance with the complicated and mysterious movement which God imprints on civilization, marching over him, and crushing him with