He left behind him the Rue de la Clef, skirted the Jardin des Plantes,
and reached the quay. Here he turned; the quay was deserted, the
streets were deserted. There was no one behind him, and he breathed
again. He reached the Austerlitz bridge, where a toll still existed at
the time, and he handed the tollman a sou.
"It is two sous," said the man; "you are carrying a child who can walk,
so you must pay for two."
He paid, though greatly vexed that his passing had given rise to any
remark. A heavy wain was passing the river at the same time as himself,
and also proceeding to the right bank. This was useful for him, as he
could cross the whole of the bridge in its shadow. On reaching the
arches of the bridge, Cosette, whose feet were numbed, asked to be
put down; he did so, and took her by the hand again. After crossing
the bridge, he saw a little to his right building-yards, towards
which he proceeded. In order to reach them he must cross an open
brilliantly-lighted space; but he did not hesitate. His pursuers were
evidently thrown out, and Jean Valjean believed himself out of danger;
he might be looked for, but he was not followed. A little street, the
Rue du Chemin Vert St. Antoine, ran between two timber-yards; it was
narrow, dark, and seemed expressly made for him, but before entering
it he looked back. From the spot where he was he could see the whole
length of the bridge of Austerlitz; four shadows had just come upon it,
and were walking towards the right bank. The four shadows were the four
men.
Jean Valjean gave a start like a recaptured animal. One hope was left
him,--it was that the four men had not been upon the bridge at the
moment when he crossed the large illumined space with Cosette. In that
case, by entering the little street before him, he might escape, if he
could reach the timber-yards, kitchen-gardens, fields, and land not yet
built on. He fancied that he could trust to this little silent street,
and entered it.
CHAPTER III.
CONSULT THE PLAN OF PARIS IN 1727.
Public-domain text, read in full here on John Shaqi.
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