These verses, in sixteenth-century Latin, raise the question whether the two thieves of Calvary were called, as is commonly believed, Demas and Gestas, or Dismas and Gesmas. The latter orthography would thwart the claims made in the last century by the Viscomte de Gestas to be descended from the wicked thief. However, the useful virtue attached to these verses is an article of faith in the order of the Hospitaler nuns. The church, so built as to separate the great convent from the boarding-school, was common to the school, and the great and little convents. The public were even admitted by a sort of quarantine entrance from the street: but everything was so arranged that not one of the inhabitants of the convent could see a single face from the outer world. Imagine a church whose choir was seized by a gigantic hand, and crushed so as no longer to form, as in ordinary chapels, a prolongation behind the altar, but a sort of obscure cavern on the side of the officiating priest; imagine this hall closed by the green baize curtain to which we have referred; pile up in the shadow of this curtain upon wooden seats the nuns on the left, the boarders on the right, and the lay sisters and novices at the end, and you will have some idea of the Little Picpus nuns attending divine service. This cavern, which was called the choir, communicated with the convent by a covered way, and the church obtained its light from the garden. When the nuns were present at those services at which their rule commanded silence, the public were only warned of their presence by the sound of the seats being noisily raised and dropped. CHAPTER VII. A FEW PROFILES FROM THE SHADOW.