Jean Valjean was in fact permanently installed; he had the
leathern knee-cap and bell, and was henceforth official. He called
himself Ultime Fauchelevent. The most powerful determining cause
of his admission was the remark of the prioress with reference
to Cosette,--"She will be ugly." The prioress, once she had
prognosticated this, felt an affection for Cosette, and gave her a
place in the boarding-school. This is very logical after all; for
although there may be no looking-glasses in a convent, women are
conscious of their face. Now, girls who feel themselves pretty have a
disinclination to take the veil; and as profession is generally in an
inverse ratio to the beauty, more is hoped from ugly than from pretty
girls.
All this adventure aggrandized Fauchelevent, for he had a three-fold
success,--with Jean Valjean, whom he saved and sheltered; with
Gribier, who said to himself, "He saved me fifteen francs;" and
with the convent, which, thanks to him, while keeping the coffin of
Mother Crucifixion under the altar, eluded Cæsar and sanctified God.
There was a coffin with a body at the Little Picpus, and a coffin
without a body in the Vaugirard cemetery; public order was doubtless
deeply affected by this, but did not perceive the fact. As for the
convent, its gratitude to Fauchelevent was great; he became the best
of servants, and most precious of gardeners. On the archbishop's very
next visit, the prioress told the whole affair to the Grandeur, partly
in confusion, and partly in a boastful spirit. The archbishop, on
leaving the convent, spoke about it applaudingly and in a whisper to
M. de Latil, Confessor to Monseigneur, and afterwards Archbishop of
Reims and Cardinal. The admiration felt for Fauchelevent travelled
all the way to Rome; and we have seen a letter addressed by the then
reigning Pope, Leo XII., to one of his relatives, Monsignore, in the
Paris Nunciature, and called, like himself, Della Genga, in which were
the following lines,--"It appears that there is at a convent in Paris
an excellent gardener, who is a holy man, of the name of Fauvent."
Nothing of all this triumph reached Fauchelevent in his hut; he went
on grafting, hoeing, and covering his melon beds, quite unaware of his
excellence and sanctity. He no more suspected his glory than does a
Durham or Surrey steer whose portrait is published in the _Illustrated
London News_, with the inscription "The ox that gained the Short-horn
prize."
CHAPTER IX.
IN THE CONVENT.
Public-domain text, read in full here on John Shaqi.
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