Darkness produces a dizziness. Man requires light, and any one who
enters the opposite of light, feels his heart contracted. When the eye
sees darkness, the soul sees trouble: in an eclipse, in night, in sooty
opaqueness, there is anxiety even for the strongest men. No one walks
alone at night in a forest without a tremor, for shadows and trees are
formidable densities. A chimerical reality appears in the indistinct
profundity; the inconceivable is visible a few paces from you with
spectral clearness. You see floating in space, or in your own brain,
something vague and intangible, like the dreams of sleeping flowers.
There are stern attitudes on the horizon, and you breathe the effluvia
of the great black vacuum. You feel frightened and inclined to look
behind you. The cavities of night, the silent outlines which disperse
as you advance, the irritated tufts, the lurid pools, the lugubrious
reflected in the mournful, the sepulchral immensity of silence, the
possible strange beings, the bending of mysterious branches, the
frightful torsos of trees, the long waves of quivering grass,--you
are defenceless against this. There is no man, however bold, who does
not shudder and feel this proximity of agony; something hideous is
experienced, as if the soul were amalgamated with the shades. This
penetration of darkness is indescribably sinister in a child. Forests
are apocalypses, and the beating of the wings of a little soul produces
a sound of death beneath their monstrous dome.
Without understanding what she experienced, Cosette felt herself
affected by this black enormity of nature: it was no longer terror
alone that over-powered her, but something even more terrible than
terror. She shuddered, and words fail us to describe the strange nature
of this shudder which chilled her to the heart. Her eye had become
stern, and she felt as if she could not prevent herself from returning
to the same spot on the morrow. Then, by a species of instinct, and in
order to emerge from this singular state which she did not understand,
but which terrified her, she began counting aloud one, two, three,
four, up to ten, and when she finished, she began again. This restored
her a true perception of the things that surrounded her: she felt the
coldness of her hands, which she had wetted in drawing the water. She
rose, for fear had seized upon her again, a natural and insurmountable
fear. She had only one thought left, to fly, fly at full speed through
the wood, and across the fields, as far as the houses, the windows,
and the lighted candles. Her eye fell on the bucket before her; and
such was the terror with which her mistress inspired her that she did
not dare fly without the bucket. She seized the handle with both hands
and found it difficult to lift. She proceeded thus for about a dozen
yards, but the bucket was full and heavy, and she was compelled to
set it on the ground. She breathed for a moment, and then lifted the
Public-domain text, read in full here on John Shaqi.
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