Here disinterestedness fades away, and the dream is vaguely sketched.
Every one for himself. The eyeless I yells, seeks, gropes, and
groans: the social Ugolino is in this gulf. The ferocious shadows
which prowl about this grave, almost brutes, almost phantoms, do
not trouble themselves about human progress; they are ignorant of
ideas and language, and thus they care for nought beyond individual
gratification. They are almost unconscious, and there is within them
a species of frightful obliteration. They have two mothers, both
step-mothers,--ignorance and wretchedness. They have for their guide
want, and for all power of satisfaction appetite; they are brutally
voracious, that is to say, ferocious,--not after the fashion of the
tyrant, but that of the tiger. From suffering these grubs pass to
crime,--it is a fetal affiliation, a ghastly propagation, the logic of
darkness; what crawls in the lowest passage is no longer the stifled
demand of the absolute, but the protest of matter. Man becomes a dragon
then; his starting-point is to be hungry and thirsty, and his terminus
is to be Satan. Lacenaire issued from this cave.
We have just seen one of the compartments of the upper mine, the great
political, revolutionary, and philosophic sap. There, as we said, all
is noble, pure, worthy, and honest: men may be mistaken in it, and are
mistaken, but the error must be revered, because it implies so much
heroism, and the work performed there has a name,--Progress. The moment
has now arrived to take a glance at other and hideous depths. There is
beneath society, and there ever will be, till the day when ignorance
is dissipated, the great cavern of evil. This cavern is below all the
rest, and the enemy of all; it is hatred without exception. This cavern
knows no philosophers, and its dagger never made a pen, while its
blackness bears no relation with the sublime blackness of the inkstand.
The fingers of night, which clench beneath this asphyxiating roof,
never opened a book or unfolded a newspaper. Babeuf is to Cartouche a
person who takes advantage of his knowledge, and Marat an aristocrat
in the sight of Schinderhannes, and the object of this cavern is the
overthrow of everything.
Public-domain text, read in full here on John Shaqi.
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