"MADAME LA MARQUISE,--The virtue of clemency and piety is that which
unites sosiety most closely. Move your Christian feelings, and dain a
glance of compasion at this unfortunate Spaniard, and victim to his
loyalty and atachment to the sacred cause of legitimacy, who shed his
blood, devoted the whole of his fortune to defend this cause, and is
now in the greatest missery. He does not doubt that you, honnored lady,
will grant some asistence to preserve an existence entirely painful
for a soldier of honor and edducation, who is covered with wounds, and
he reckons before hand on the humanity which annimates you, and the
interest which your ladyship takes in so unhapy a nacion. Their prayer
will not be in vain, and His gratitude will retain her charming memory.
"With the most respectful feelings, I have the honor to be, madame,
"DON ALVARES,
_Spanish captain of cavvalry, a Royalist refugee in France, who is
travelling for his country, and who wants the means to continue his
jurney."_
No address was attached to the signature, but Marius hoped to find it
in the second letter, of which the superscription was,--"To Madame,
Madame la Comtesse de Montvernet, Rue Cassette, No. 9. This is what
Marius read:--
"MADAME LA COMTESSE,--It is a unhapy mother of a familly of six
children, of which the yungest is only eight months old; I ill since my
last confinement, deserted by my husband, and hawing no ressourse in
the world, living in the most frightful indijance.
"Trusting in your ladyship, she has the honor to be, madame, with
profound respect,
"FEMME BALIZARD."
Marius passed to the third letter, which was, like the preceding, a
petition, and he read in it:--
"MONSIEUR PABOURGEOT, _Elector, wholesale dealer in caps, Rue St.
Denis, at the corner of the Rue Aux-Fers:_
"I venture to adress this letter to you, to ask you to grant me the
pretious favor of your sympathies, and to interest you in a litterary
man, who has just sent a drama to the Théâtre Français. The subject is
historical, and the scene takes place in Auvergne in the time of the
Empire; the style, I believe, is natural, laconic, and may posess some
merit. There are couplets for singing at four places. The comic, the
serious, and the unexpected elements are blended in it with a variety
of characters, and a tinge of romance is lightly spread through the
whole plot, which moves misteriously, and the finale takes place amid
several brilliant tableaux. My principal desire is to satisfy the
desire which progressively animates sosiety, that is to say, fashion,
that capritious and vague whirligig which changes with nearly every
wind.
"In spite of these quallities, I have reason to fear that jealousy and
the selfishness of privileged authors may obtain my exclusion from
the stage, for I am not unaware of the vexation which is caused to
new-comers.
Public-domain text, read in full here on John Shaqi.
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