He rose, walked to the wall, against which the panel to which we
have already referred was leaning, and turned it round, while still
letting it rest on the wall. It was something, in fact, that resembled
a picture, and which the candle almost illumined. Marius could
distinguish nothing, as Jondrette was standing between him and the
picture; but he fancied he could catch a glimpse of a coarse daub, and
a sort of principal character standing out of the canvas with the bold
crudity of a showman's pictures and screen paintings.
"What is that?" M. Leblanc asked.
Jondrette exclaimed,--
"A masterpiece, a most valuable picture, my benefactor! I am as much
attached to it as I am to my daughters, for it recalls dear memories.
But, as I told you,--and I will not go back from my word,--I am
willing to dispose of it, as we are in such poverty."
Either by accident, or some vague feeling of anxiety, M. Leblanc's
eye, while examining the picture, returned to the end of the room.
There were now four men there, three seated on the bed and one leaning
against the door-post, but all four bare-armed, motionless, and with
blackened faces. One of those on the bed was leaning against the wall
with closed eyes and apparently asleep; this one was old, and the white
hair on the blackened face was horrible. The other two were young,--one
was hairy, the other bearded. Not a single one had shoes, and those
who did not wear socks were barefooted. Jondrette remarked that M.
Leblanc's eyes rested on these men.
"They are friends, neighbors," he said; "their faces are black because
they work about the coal. They are chimney-menders. Do not trouble
yourself about them, sir, but buy my picture. Have pity on my misery. I
will not ask much for it; what value do you set upon it?"
"Well," M. Leblanc said, looking Jondrette full in the face, like a man
setting himself on guard, "it is some pot-house sign, and worth about
three francs."
Jondrette replied gently,--
"Have you your pocket-book about you? I shall be satisfied with a
thousand crowns."
M. Leblanc rose, set his back against the wall, and took a hurried
glance round the room. He had Jondrette on his left by the window,
and on his right the woman and the four men by the door. The four men
did not stir, and did not even appear to see him. Jondrette had begun
talking again with a plaintive accent, and with such a wandering eye
that M. Leblanc might fairly believe that he simply had before him a
man driven mad by misery.
Public-domain text, read in full here on John Shaqi.
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