And he walked on tiptoe up to the corner which Marius had gone round,
and on reaching it stopped in stupefaction. Marius, with his forehead
in both his hands, was kneeling in the grass upon a tomb, and had
spread his flowers out over it. At the head of the grave was a cross
of black wood, with this name in white letters,--"COLONEL BARON
PONTMERCY." Marius could be heard sobbing.
The girl was a tomb.
CHAPTER VIII
MARBLE AGAINST GRANITE.
It is hither that Marius had come the first time that he absented
himself from Paris; it was to this spot he retired each time that
M. Gillenormand said,--"He sleeps out." Lieutenant Théodule was
absolutely discountenanced by this unexpected elbowing of a tomb, and
felt a disagreeable and singular sensation, which he was incapable
of analyzing, and which was composed of respect for a tomb, mingled
with respect for a colonel. He fell back, leaving Marius alone in the
cemetery, and there was discipline in this retreat; death appeared
to him wearing heavy epaulettes, and he almost gave it the military
salute. Not knowing what to write to his aunt, he resolved not to write
at all; and there would probably have been no result from Théodule's
discovery of Marius's amour had not, by one of those mysterious
arrangements so frequent in accident, the scene at Vernon had almost
immediately a sort of counterpart in Paris.
Marius returned from Vernon very early on the morning of the third
day, and wearied by two nights spent in a diligence, and feeling
the necessity of repairing his want of sleep by an hour's swimming
exercise, he hurried up to his room, only took the time to take off
his travelling coat and the black ribbon which he had round his neck,
and went to the bath. M. Gillenormand, who rose at an early hour like
all old men who are in good health, heard him come in, and hastened
as quick as his old legs would carry him up the stairs leading to
Marius's garret, in order to welcome him back, and try and discover his
movements. But the young man had taken less time in descending than the
octogenarian in ascending, and when Father Gillenormand entered the
garret Marius was no longer there. The bed had been unoccupied, and on
it lay the coat and black ribbon unsuspectingly.
"I prefer that," said M. Gillenormand, and a moment later he entered
the drawing-room, where Mlle. Gillenormand the elder was already seated
embroidering her cabriolet wheels. The entrance was triumphant; M.
Gillenormand held in one hand the coat, in the other the neck-ribbon,
and shouted,--
"Victory! we are going to penetrate the mystery, we are going to know
the cream of the joke, we are going to lay our hands on the libertinage
of our cunning gentleman. Here is the romance itself, for I have the
portrait."
Public-domain text, read in full here on John Shaqi.
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