About the year 1830 his brother the curé died, and almost immediately
after, as when night arrives, the entire horizon became dark for M.
Mabœuf. The bankruptcy of a notary despoiled him of ten thousand
francs, all he possessed of his brother's capital and his own, while
the revolution of July produced a crisis in the book trade. In times
of pressure the first thing which does not sell is a _Flora_, and that
of the Environs of Cauteretz stopped dead. Weeks passed without a
purchaser. At times M. Mabœuf started at the sound of the house bell,
but Mother Plutarch would say to him sadly, "It is the water-carrier,
sir." In a word, M. Mabœuf left the Rue Mézières one day, abdicated
his office as churchwarden, gave up St. Sulpice, sold a portion, not
of his books, but of his engravings, for which he cared least, and
installed himself in a small house on the Boulevard Montparnasse,
where, however, he only remained three months, for two reasons,--in the
first place, the ground-floor and garden cost three hundred francs,
and he did not dare set aside more than two hundred francs for rent;
and secondly, as he was close to the Fatou shooting-gallery, he heard
pistol-shots, which he could not endure. He carried off his _Flora_,
his copper-plates, his herbals, port-folios, and books and settled down
near the Salpêtrière, in a sort of hut, in the village of Austerlitz,
where he rented for fifty crowns a year three rooms, a garden enclosed
by a hedge, and a well. He took advantage of this removal to sell
nearly all his furniture. On the day when he entered his new house he
was in very good spirits, and drove in with his own hands the nails on
which to hang the engravings; he dug in his garden for the rest of the
day, and at night, seeing that Mother Plutarch had an anxious look and
was thoughtful, he tapped her on the shoulder and said with a smile,
"We have the indigo!" Only two visitors, the publisher and Marius, were
allowed admission to his hut of Austerlitz,--a rackety name, by the
way, which was most disagreeable to him.
Public-domain text, read in full here on John Shaqi.
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