Father Gillenormand at this period had just passed his ninety-first
birthday, and still lived with his daughter at No. 6, Rue des
Filles-de-Calvaire, in the old house which was his own property. He
was, it will be remembered, one of those antique old men whose age
falls on without bending them, and whom even sorrow cannot bow. Still,
for some time past his daughter had said, "My father is breaking." He
no longer slapped the servants, or rapped so violently with his cane
the staircase railing where Basque kept him waiting. The Revolution
of July had not exasperated him for more than six months, and he had
seen almost with tranquillity in the _Moniteur_ this association of
words, M. Humblot-Conté, Peer of France. The truth is, that the old
man was filled with grief; he did not bend, he did not surrender, for
that was not possible either with his moral or physical nature; but
he felt himself failing inwardly. For four years he had been awaiting
Marius with a firm foot,--that is really the expression,--with the
conviction that the wicked young scape-grace would ring his bell some
day; and now he had begun to say to himself, when depressed, that
Marius might remain away a little too long. It was not death that was
insupportable to him, but the idea that perhaps he might not see Marius
again. This idea had never occurred to him till one day, and at present
it rose before him constantly, and chilled him to death. Absence, as
ever happens in natural and true feelings, had only heightened the
grandfather's love for the ungrateful boy who had gone away like that.
It is on December nights, when the thermometer is almost down at zero,
that people think most of the sun. M. Gillenormand was, or fancied
himself, utterly incapable of taking a step toward his grandson; "I
would rot first," he said to himself. He did not think himself at all
in the wrong, but he only thought of Marius with profound tenderness,
and the dumb despair of an old man who is going down into the valley
of the shadows. He was beginning to lose his teeth, which added to his
sorrow. M. Gillenormand, without confessing it to himself, however,
for he would have been furious and ashamed of it, had never loved a
mistress as he loved Marius. He had hung up in his room, as the first
thing he might see on awaking, an old portrait of his other daughter,
the one who was dead, Madame de Pontmercy, taken when she was eighteen.
He incessantly regarded this portrait, and happened to say one day,
while gazing at it,--
"I can notice a likeness."
"To my sister?" Mlle. Gillenormand remarked; "oh, certainly."
The old man added, "And to him too."
When he was once sitting, with his knees against each other, and his
eyes almost closed in a melancholy posture, his daughter ventured to
say to him,--
"Father, are you still so furious against--" She stopped, not daring to
go further.
"Against whom?" he asked.
"That poor Marius."
Public-domain text, read in full here on John Shaqi.
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