Let us mention one fact, by the way. When Jean Valjean went out with
Cosette he dressed himself in the way we have seen, and looked like
a retired officer; but when he went out alone, and he did so usually
at night, he was attired in a workman's jacket and trousers, and a
cap whose peak was pulled deep over his eyes. Was this precaution or
humility? Both at once. Cosette was accustomed to the enigmatical
side of her destiny, and hardly noticed her father's singularities; as
for Toussaint, she revered Jean Valjean, and considered everything he
did right. One day her butcher, who got a glimpse of her master, said,
"He's a queer looking stick," and she replied, "He's a--a--a--saint."
All three never left the house except by the gate in the Rue de
Babylone; and unless they were noticed through the garden gate it would
be difficult to guess that they lived in the Rue Plumet. This gate was
always locked, and Jean Valjean left the garden untended that it might
not be noticed. In this, perhaps, he deceived himself.
CHAPTER III.
FOLIIS AC FRONDIBUS.
This garden, left to itself for more than half a century, had become
extraordinary and charming: passers-by forty years ago stopped in
the street to gaze at it, without suspecting the secrets which it
hid behind its fresh green screen. More than one dreamer at that day
allowed his eyes and thoughts indiscreetly to penetrate the bars of
the old locked, twisted, shaky gate, which hung from two mould-covered
pillars and was surmounted by a pediment covered with undecipherable
arabesques. There was a stone bank in a corner, there were one or
two mouldering statues, and some trellis-work, unnailed by time,
was rotting against the walls; there was no turf or walk left, but
there was dog's-grass everywhere. The artificiality of gardening
had departed, and nature had returned; weeds were abundant, and the
festival of the gilly-flowers was splendid there. Nothing in this
garden impeded the sacred efforts of things toward life, and growth
was at home there and held high holiday. The trees had bent down to
the briars, the briars had mounted toward the trees; the plants had
clambered up, the branches had bent down. What crawls on the ground
bad gone to meet what expands in the air, and what floats in the wind
stooped down to what drags along the moss; brambles, branches, leaves,
fibres, tufts, twigs, tendrils, and thorns were mixed together, wedded
and confounded; vegetation had celebrated and accomplished here, in
a close and profound embrace, and beneath the satisfied eye of the
Creator, the holy mystery of its fraternity, which is a symbol of human
paternity. This garden was no longer a garden, but a colossal thicket;
that is to say, something which is as impenetrable as a forest, as
populous as a city, as rustling as a nest, as dark as a cathedral, as
fragrant as a bouquet, as solitary as a tomb, and as lively as a crowd.
Public-domain text, read in full here on John Shaqi.
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