In spring this enormous thicket, at liberty within its four walls,
played its part in the dull task of universal germination, and quivered
in the rising sun almost like an animal that inhales the effluvia
of cosmic love and feels the sap of April ascending and boiling in
its veins, and shaking in the wind its prodigious green foliage,
scattered over the damp ground, over the weather-beaten statues,
over the crumbling steps of the pavilion, and even over the pavement
of the deserted street, constellations of flowers, pearls of dew,
fecundity, beauty, life, joy, and perfumes. At midday thousands of
white butterflies took refuge in it, and it was a divine sight to watch
this living snow of summer falling in flakes through the shadows. In
the pleasant gloom of the foliage a multitude of soft voices gently
addressed the soul, and what the twittering forgot to say, the buzzing
completed. At night a dreamy vapor rose from the garden and enveloped
it; a cere-cloth of mist, a celestial and calm melancholy, covered it;
the intoxicating smell of the honeysuckle and the bind-weed ascended
from all sides like an exquisite and subtle poison; the last appeals
of the woodpeckers and the goldfinches could be heard, ere they fell
asleep under the branches, and the sacred intimacy between the bird
and the trees was felt, for by day, wings gladden the leaves, and at
night the leaves protect the wings. In winter, the thicket was black,
dank, bristling, and shivering, and allowed a glimpse at the house to
be taken. Instead of flowers among the stalks and dew upon the flowers,
the long silvery trail of the snails could be seen on the cold thick
bed of yellow leaves; but in any case, under any aspect, and at all
seasons, spring, summer, autumn, and winter, this little enclosure
exhaled melancholy contemplation, solitude, liberty, the absence of
man and the presence of God, and the old rusty railings had an air of
saying, "This garden is mine."
Public-domain text, read in full here on John Shaqi.
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