to walk, to crawl; all the movements that he makes bury him; he draws
himself up, and only sinks deeper; he feels himself being swallowed up;
he yells, implores, cries to the clouds, writhes his arms, and grows
desperate. Then he is in the sand up to his waist; the sand reaches his
chest, he is but a bust. He raises his hands, utters furious groans,
digs his nails into the sand, tries to hold by this dust, raises
himself on his elbows to tear himself from this soft sheath, and sobs
frenziedly. The sand mounts, the sand reaches his shoulders, the sand
reaches his neck, the face alone is visible now. The mouth cries, the
sand fills it; silence. The eyes still look, the sand closes them;
night. Then the forehead sinks, and a little hair waves above the
sand; a hand emerges, digs up the sand, is waved, and disappears,--a
sinister effacement of a man.
At times the rider is swallowed up with his horse, at times the carter
with his cart. It is a shipwreck otherwhere than in the water; it is
the land drowning man. The land penetrated by the ocean becomes a
snare; it offers itself as a plain, and opens like a wave. The abyss
has its acts of treachery.
Such a mournful adventure, always possible on some seashore, was also
possible some thirty years ago in the sewer of Paris. Before the
important works began in 1833 the subway of Paris was subject to sudden
breakings-in. The water filtered through a subjacent and peculiarly
friable soil; and the roadway, if made of paving-stones, as in the old
drains, or of concrete upon béton, as in the new galleries, having no
support, bent. A bend in a planking of this nature is a crevice, and a
crevice is a bursting-in. The roadway broke away for a certain length,
and such a gap, a gulf of mud, was called in professional language
_fontis._ What is a fontis? It is the quicksand of the seashore
suddenly met with underground; it is the strand of Mont St. Michel in
a sewer. The moistened soil is in a state of fusion, all its particles
are held in suspense in a shifting medium; it is not land and it is not
water. The depth is at times very great. Nothing can be more formidable
than meeting with such a thing; if water predominate death is quick,
for a man is drowned; if earth predominate death is slow, for he is
sucked down.
Public-domain text, read in full here on John Shaqi.
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