A sacred galley-slave! a convict impregnable by justice, and that
through the deed of Javert! Was it not frightful that Javert and Jean
Valjean, the man made to punish and the man made to endure,--that these
two men, who were both the property of the law, should have reached the
point of placing themselves both above the law? What! such enormities
could happen and no one be punished? Jean Valjean, stronger than the
whole social order, would be free, and he, Javert, would continue to
eat the bread of the Government! His reverie gradually became terrible:
he might through this reverie have reproached himself slightly on
the subject of the insurgent carried home to the Rue des Filles du
Calvaire, but he did not think of it. The slighter fault was lost in
the greater; and besides, this insurgent was evidently a dead man,
and, legally, death checks persecution. Jean Valjean,--that was the
weight which he had on his mind. Jean Valjean disconcerted him. All
the axioms which had been the support of his whole life crumbled away
before this man, and the generosity of Jean Valjean to him, Javert,
overwhelmed him. Other facts which he remembered, and which he had
formerly treated as falsehoods and folly, now returned to his mind as
realities. M. Madeleine reappeared behind Jean Valjean, and the two
figures were blended into one, which was venerable. Javert felt that
something horrible, admiration for a convict, was entering his soul.
Respect for a galley-slave, is it possible? He shuddered at it, and
could not escape from it, although he struggled. He was reduced to
confess in his soul the sublimity of this villain, and this was odious.
A benevolent malefactor, a compassionate, gentle, helping, and merciful
convict,--repaying good for evil, pardon for hatred, preferring pity to
vengeance, ready to destroy himself sooner than his enemy, saving the
man who had struck him, kneeling on the pinnacle of virtue, and nearer
to the angels than to man. Javert was constrained to confess to himself
that such a monster existed.
Public-domain text, read in full here on John Shaqi.
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