Cosette learned that she was not the daughter of the old man whom
she had so long called father; he was only a relation, and another
Fauchelevent was her real father. At another moment this would have
grieved her, but in the ineffable hour she had now reached it was only
a slight shadow, a passing cloud; and she had so much joy that this
cloud lasted but a short time. She had Marius. The young man came; the
old man disappeared: life is so. And then, Cosette had been accustomed
for many long years to see enigmas around her; every being who has had
a mysterious childhood is ever ready for certain renunciations. Still
she continued to call Jean Valjean "father." Cosette, who was among the
angels, was enthusiastic about Father Gillenormand; it is true that
he overwhelmed her with madrigals and presents. While Jean Valjean
was constructing for Cosette an unassailable position in society, M.
Gillenormand attended to the wedding trousseau. Nothing amused him so
much as to be magnificent; and he had given Cosette a gown of Binche
guipure, which he inherited from his own grandmother. "These fashions
spring up again," he said; "antiquities are the great demand, and
the young ladies of my old days dress themselves like the old ladies
of my youth." He plundered his respectable round-bellied commodes of
Coromandel lacquer, which had not been opened for years. "Let us shrive
these dowagers," he said, "and see what they have in their paunch." He
noisily violated drawers full of the dresses of all his wives, all his
mistresses, and all his female ancestry. He lavished on Cosette Chinese
satins, damasks, lampas, painted moires, gros de Naples dresses, Indian
handkerchiefs embroidered with gold that can be washed, Genoa and
Alençon point lace, sets of old jewelry, ivory bonbon boxes adorned
with microscopic battles, laces, and ribbons. Cosette, astounded, wild
with love for Marius and with gratitude to M. Gillenormand, dreamed of
an unbounded happiness, dressed in satin and velvet. Her wedding-basket
seemed to her supported by seraphim, and her soul floated in ether
with wings of Mechlin lace. The intoxication of the lovers was only
equalled, as we stated, by the ecstasy of the grandfather, and there
was something like a flourish of trumpets in the Rue des Filles du
Calvaire. Each morning there was a new offering of _bric-à-brac_ from
the grandfather to Cosette, and all sorts of ornaments were spread out
splendidly around her. One day Marius, who not unfrequently talked
gravely through his happiness, said, with reference to some incident
which I have forgotten,--
"The men of the revolution are so great that they already possess the
prestige of centuries, like Cato and like Phocion, and each of them
seems a mémoire antique."
"Moire antique!" exclaimed the old gentleman; "thank you, Marius, that
is the very idea which I was seeking for."
Public-domain text, read in full here on John Shaqi.
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