mystery of the stars above this ineffable kiss. These felicities are the real ones, there is no joy beyond their joys; love is the sole ecstasy, and all the rest weeps. To love or to have loved is sufficient; ask nothing more after that. There is no other pearl to be found in the dark folds of life, for love is a consummation. CHAPTER III. THE INSEPARABLE. What had become of Jean Valjean? Directly after he had laughed in accordance with Cosette's request, as no one was paying any attention to him, Jean Valjean rose, and unnoticed reached the anteroom. It was the same room which he had entered eight months previously, black with mud and blood and gunpowder, bringing back the grandson to the grandfather. The old panelling was garlanded with flowers and leaves, the musicians were seated on the sofa upon which Marius had been deposited. Basque, in black coat, knee-breeches, white cravat, and white gloves, was placing wreaths of roses round each of the dishes which was going to be served up. Jean Valjean showed him his arm in the sling, requested him to explain his absence, and quitted the house. The windows of the dining-room looked out on the street, and Valjean stood for some minutes motionless in the obscurity of those radiant windows. He listened, and the confused sound of the banquet reached his ears; he heard the grandfather's loud and dictatorial voice, the violins, the rattling of plates and glasses, the bursts of laughter, and amid all these gay sounds he distinguished Cosette's soft, happy voice. He left the Rue des Filles du Calvaire and returned to the Rue de l'Homme Armé. In going home he went along the Rue St. Louis, the Rue Culture-Sainte-Catherine, and the Blancs Manteaux; it was a little longer, but it was the road by which he had been accustomed to come with Cosette during the last three months, in order to avoid the crowd and mud of the Rue Vieille du Temple. This road, which Cosette had passed along, excluded the idea of any other itinerary for him. Jean Valjean returned home, lit his candle, and went upstairs. The apartments were empty; not even Toussaint was in there now. Jean Valjean's footsteps made more noise in the rooms than usual. All the wardrobes were open; he entered Cosette's room, and there were no sheets on the bed. The pillow, without a case or lace, was laid on the blankets folded at the foot of the bed, in which no one was going to sleep again. All the small feminine articles to which Cosette clung had been removed; only the heavy furniture and the four walls remained. Toussaint's bed was also unmade, and the only one made which seemed to be expecting somebody was Jean Valjean's. Jean Valjean looked at the walls, closed some of the wardrobe drawers, and walked in and out of the rooms. Then he returned to his own room and placed his candle on the table; he had taken his arm out of the sling, and used it as if he were suffering no pain in it. He went up to his bed and his eyes