The sewer in old Paris is the meeting-place of all exhaustions and of
all experiments; political economy sees there a detritus, and social
philosophy a residuum. The sewer is the conscience of the city, and
everything converges and is confronted there. In this livid spot there
is darkness, but there are no secrets. Each thing has its true form, or
at least its definitive form. The pile of ordure has this in its favor,
that it tells no falsehood, and simplicity has taken refuge there.
Basile's mask is found there, but you see the pasteboard, the threads,
the inside and out, and it is marked with honest filth. Scapin's false
nose is lying close by. All the uncleanlinesses of civilization, where
no longer of service, fall into this pit of truth; they are swallowed
up, but display themselves in it. This pell-mell is a confession:
there no false appearance nor any plastering is possible, order takes
off its shirt, there is an absolute nudity, a rout of illusions and
mirage, and there nothing but what is assuming the gloomy face of what
is finishing. Reality and disappearance. There a bottle-heel confesses
intoxication, and a basket-handle talks about domesticity; there, the
apple-core which has had literary opinions becomes once again the
apple-core, the effigy on the double son grows frankly vert-de-grised,
the saliva of Caiaphas meets the vomit of Falstaff, the louis-d'or
which comes from the gambling-hell dashes against the nail whence hangs
the end of the suicide's rope, a livid fœtus rolls along wrapped
in spangles, which danced last Shrove Tuesday at the opera, a wig
which has judged men wallows by the side of a rottenness which was
Margotton's petticoat: it is more than fraternity, it is the extremest
familiarity. All that painted itself is bedaubed, and the last veil is
torn away. The sewer is a cynic and says everything. This sincerity of
uncleanliness pleases us and reposes the mind. When a man has spent
his time upon the earth in enduring the great airs assumed by state
reasons, the oath, political wisdom, human justice, professional
probity, the austerities of the situation, and incorruptible robes, it
relieves him to enter a sewer and see there the mire which suits it.
Public-domain text, read in full here on John Shaqi.
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