Lessons in Life; A Series of Familiar EssaysHolland, J. G. (Josiah Gilbert)
Philosophy
Lessons in Life; A Series of Familiar Essays
Holland, J. G. (Josiah Gilbert)
Conduct of life
But, after all, Miss Nancy is not a popular man. He will probably
live and die an old bachelor, because all the women will persist
in laughing at him. He is certainly good-looking, his dress is
unexceptionable, his manners are "as good as they make them,"
and his morals are as proper as his manners; yet I have not yet seen
the woman who would speak a pleasant word of my friend. He is
decidedly a "woman's man," yet no woman will own him, and no
woman feels comfortable with him. His language is so carefully
guarded against all impropriety of style and structure, that she
feels as if he were criticizing every word she utters, as well as
measuring his own. His manners are so very proper that they are
formal and constrained, and make her uncomfortable. His sentiments
and opinions are so very conservative, that they have no vitality in
them. With a curious perverseness, the most gentle and accomplished
women will turn from him with a sense of relief, to join in the society
of a hearty fellow with a loud laugh and a dash of slang, and a free
and easy way with him. It may be difficult to explain all this, but
it is true. An exceedingly proper man is never a popular man. That
life which is controlled by rigid and unvarying rules, and regulated
by conventionalities in every minute particular, and restrained in
every impulse by notions of propriety, is unlovely and unnatural,
and can never he otherwise.
The instincts of men are always right in this and all cognate
matters. All formalism is offensive to good taste. The painter
does not study landscape in a garden. Formal isles, closely-trimmed
trees, rose hushes on the top of tall sticks, flowers tied to
supports, vines trained upon trellises, lakes with clipped and
pebbled margins and India-rubber swans--these are not picturesque.
There is no more inspiration in them than there would be in a row
of tenement houses in the city. The painter looks for beauty out
where nature reigns undisturbed amid her imperfections,--where the
aisles are made by the deer going to his lick; where the trees are
never trimmed save by the lightning or the hurricane; where the
rose-bushes spread their branches and the vines trail themselves
at liberty; and where the lake looks up into the faces of trees
centuries old, and hems itself in with thickets of alders and
green reaches of flags and rushes, and throbs to the touch of the
mountain breeze, while on its bosom
"The black duck, with her glossy breast
Sits swinging silently."
Public-domain text, read in full here on John Shaqi.
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