"Lest We Forget": Chicago's Awful Theater HorrorEverett, Marshall
History
"Lest We Forget": Chicago's Awful Theater Horror
Everett, Marshall
Iroquois Theater, Chicago -- Fire, 1903; Theaters -- Fires and fire prevention
Eddie Foy, whose real name is Edwin Fitzgerald, has faced many audiences
under all conditions and circumstances during his stage career of a
quarter of a century, during which he rose from a street urchin to the
distinction of one of America's most entertaining and unctuous comedians.
Never before had such interest centered in his appearance as when on
Thursday afternoon, January 7, 1904, he took the witness stand to relate
under oath what he knew concerning the calamity of the preceding week.
The actor's face was a study. His deep-lined countenance, ordinarily
irresistibly funny without effort on his part, took on a truly tragic
aspect as he entered upon his story. His indescribable, husky voice that
has made hundreds of thousands laugh with merriment, was broken; there was
no suggestion of humor in it. Instead it was a wail from the tomb, the
utterance of a man broken with the weight of the woe he had beheld in a
few brief, fleeting moments.
The questions were propounded by Coroner Traeger and Major Lawrence
Buckley, his chief deputy, and were promptly and fully answered by the
comedian.
The full text, as secured through a stenographic report, follows:
Q. Will you kindly tell us, Mr. Foy, or Fitzgerald, in your own way, what
transpired?
A. Well, I went to the matinee with my little boy, six years old, and I
wanted to put him in the front of the theater to see the show. I sent him
out before the first act by the stage manager, and he took him out and
brought him back and said there were no seats. I sent him downstairs and
put him in a little alcove that is next to the switchboard, underneath
where they claim the fire started, and where I saw the fire first.
Q. That is on what side of the stage?
A. On my right facing the audience. On the south side of the stage. The
second act was on. I was in my dressing-room tying my shoes, and I heard a
noise, and I didn't pay much attention to it at first. I says to myself,
"Are they fighting again down there"--there was a fight there about a week
or two ago; and I says, "They are fighting again." I looked out of the
door and heard the buzz getting stronger and stronger, with this
excitement, and I thought of my boy and I ran down the steps. I was in the
middle dressing-room on the side, and I ran down screaming "Bryan." I got
him at the first entrance right in front of the switchboard, and looked up
and saw a fireman there. I don't know what he was doing; he was trying to
put the fire out. Then the two lower borders running up the side of this
canvas were burning. I grabbed my boy and rushed to the back door, and
there was a lot of people trying to get out.
DESCRIBES STAGE BOX.
Q. What door?
A. The little stage door on Dearborn street.
Q. How did you find that door--was it open?
A. No. I knew where the door was.
Q. Was the door open when you got there?
A. Yes; they were breaking through it.
Q. Who?
A. All of our people.
Q. Employees on the stage?
Public-domain text, read in full here on John Shaqi.
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