"Lest We Forget": Chicago's Awful Theater HorrorEverett, Marshall
History
"Lest We Forget": Chicago's Awful Theater Horror
Everett, Marshall
Iroquois Theater, Chicago -- Fire, 1903; Theaters -- Fires and fire prevention
IRON GATES, DEATH'S ALLY.
That two iron gates, securely padlocked, across stairways in the Randolph
street entrance, held scores of women and children as prisoners of death
at the Iroquois theater fire horror, was the startling evidence secured on
Saturday, Jan. 9, ten days after the holocaust by Fire Department Attorney
Monroe Fulkerson.
In a statement under oath George M. Dusenberry, superintendent of the
auditorium of the playhouse, admitted that these gates had remained locked
against the frantic crowds through all the terrible rush to escape.
Against these, bodies were piled high in death of those who might have
gained the open air had they not been penned in by the immovable bars.
Not until the sworn statement had been secured from Dusenberry were the
investigators brought to a full realization of the horrors of the
imprisoned victims.
These deadly iron gates, four to five feet high, according to Dusenberry's
testimony, were quietly removed after the fire. One of the gates was at
the landing of the dress circle. The other was on the stairway which led
from the dress circle entrance to the landing above. At the Randolph
street entrance were two grand staircases. Passage down one of these
staircases was shut off completely by the iron gates.
According to Dusenberry, the gates were locked with a padlock, requiring a
key to open them. It was the custom to open these gates after the
intermission at the close of the second act, so as to give the people an
unobstructed passageway for leaving the house at the close of the play.
The exact condition made by the locked gates and the extent to which they
contributed to the immense loss of life may be realized by Dusenberry's
sworn testimony in detail on this point.
DUSENBERRY'S TESTIMONY.
It was as follows:
Q. Do you recall an inspection which I made of the stairway of the second
floor of that theater the next day after the fire? A. Yes, sir.
Q. And showed you two iron gates that folded up like an accordion? A. Yes,
sir.
Q. Please state whether or not these two gates were locked at the time of
the fire. A. Yes, sir.
Q. State where the lower one was located. A. At the landing of the dress
circle.
Q. And do I understand that one side of it was solidly hinged with an iron
rod and that the other side of the gate was fastened by a chain locked by
a padlock? A. A small lock.
Q. The lock required a key to open it? A. Yes, sir; a small key.
Q. How high was this gate? A. I should think four or five feet.
Q. And was I correct in saying it folded up like an accordion when not in
use? A. Yes, sir.
Q. Where was the other one located? A. On the stairway which led from the
dress circle entrance up to the landing above.
Q. And was it secured and locked in the same manner as the other gate? A.
Yes, sir.
PURPOSE OF THE TWO GATES.
Q. Consider the first one; what was its function? A. In order that we
could have system in handling the house.
Public-domain text, read in full here on John Shaqi.
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