"Lest We Forget": Chicago's Awful Theater HorrorEverett, Marshall
History
"Lest We Forget": Chicago's Awful Theater Horror
Everett, Marshall
Iroquois Theater, Chicago -- Fire, 1903; Theaters -- Fires and fire prevention
It was a sad departure. Nearly 150 persons comprised the "Mr. Bluebeard"
party, and nearly as many more took the trip from "The Billionaire"
company, also owned by the same management. Only a day or two before the
fire that closed the "Bluebeard" show death had laid its hand heavily upon
"The Billionaire," playing at the Illinois theater only a few blocks
distant. "The Billionaire" himself died--big, rollicking Jerome Sykes, who
made famous the part "Foxy Quiller" and the opera of that name and who a
few years ago made such a hit as the fat boy in "An American Beauty" that
he outshone Lillian Russell, its star. Sykes contracted a cold at a
Christmas celebration for the members of the two companies and when he
died the production died with him.
So with the Iroquois catastrophe there were two big, obviously successful,
companies wiped out of the theatrical world at one blow and without
notice. The members of each had half a week's salary due; that was their
all. It was promptly paid and with that and their tickets all set forth in
the happy possession of their baggage, many through the charity of Mrs.
Armour.
All--not quite! There were two members of "The Billionaire" who did not
make the last "jump," two who were in the audience at the Iroquois and
perished in the maelstrom of flame and smoke. The curtain had been rung
down for them forever. They, at least, would know no more of pitiful
quests for engagements, of wearying rehearsal and momentary, superficial
conquest. They had played their last stand.
"This is the saddest day of my life," declared one of the chorus members
in the presence of the writer. "Here I am, 1,000 miles from home, no
prospects of another engagement this season, and only $5 in the world."
"I have less than you," said a frail appearing girl, with tears in her
eyes. "I lost my savings, $22, in the fire, and I have only $3 to go home
with."
"It is the life of the stage," said a matronly wardrobe woman. "The poor
girls are penniless, and if the injured were left hind it would be as
charity patients. The responsibility of the managers of the show ceases
when the production is closed. I know many of these girls are without
sufficient money to pay for a week's lodging, and it is a sad outlook for
some of them this winter."
And the wardrobe woman told the truth--it was merely a striking example, a
pitiful vicissitude of "the life of the stage."
CHAPTER XIII.
OTHER HOLOCAUSTS.
Since the time that civilized man first met with fellow man to enjoy the
work of the primitive playwright, humanity has paid a toll of human life
for its amusements. Oftener than history tells the tiny flicker of a
tongue of flame has thrown a gay, laughing audience into a wild,
struggling mob, and instead of the curtain which would have been rung down
on the comedy on the stage, a pall of black smoke covered the struggles of
the living and dying.
Public-domain text, read in full here on John Shaqi.
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