Another shows with almost sickening force the heart-breaking suffering of Belgian mothers, as contrasted with the cruelty and hard-heartedness of the Huns. A Belgian woman is kneeling beside a pile of dead from her village, with an expression of almost insane suffering upon her face. A German officer is passing, with one hand thrust into his coat front and a cigar in his mouth. He stops to say, "Ah! was your boy among the twelve this morning? Then you'll find him among this lot." A third shows a German looting a house and carrying away everything that he thinks is of value to him. The furniture is smashed and a woman and child lie dead on the floor. The Hun is saying, "It's all right. If I had not done it some one else might." A fourth shows a line of hostages standing in front of a wall to be shot for an offense that the German officer in command claims some one in the village committed. Those taken as hostages are innocent of wrong doing. The cartoon shows the ends of the barrels of the German muskets pointed at the hearts of the hostages and a German officer with his sword raised and his lips parted to give the order to fire. It shows but four of the hostages: an old man, probably the mayor of the town; a white-haired priest; a well-to-do man, and his son, about fourteen years of age. The boy is asking, "Father, what have we done?"--the cry that went up to their Heavenly Father from thousands of martyrs in Belgium. It is no wonder that the German rulers fear this Dutch artist more than they do a division of soldiers. His fighting against the Huns and their atrocities and against the German nature and teaching that made these atrocities possible will continue in every nation of the earth, as long as printing presses furnish pictures and people look at them. His pen or pencil wrote a language that all could read, and they spoke the truth so that it turned all who read it against the modern Hun. When he visited England, one of the leading papers declared that he was a genius, probably the only genius produced by the war; and that long after the most exciting and interesting articles in newspapers and magazines were forgotten, and the great number of books on the war had been lost or stowed away in dusty garrets, his cartoons would live and stir the indignation of men yet unborn; and that Louis Raemaekers had nailed the Kaiser to a cross of immortal infamy. France has honored him as one of the great heroes of the war, and has given him the Legion of Honor. George Creel says, "He is a voice, a sword, a flame. His cartoons are the tears of women, the battle shout of indomitable defenders, the indignation of humanity, the sob of civilization. They will go down in history." One of the wonderful painters of old Japan put so much of himself, of his soul and heart, into every stroke of his brush that it was said, "If a swift and keen sword should cut through his brush at work, it would bleed."