When the people observed the infection making a rapid progress in
many parts of the town, notwithstanding the due performance of the
usual prayers, they began to cast about for a more effectual method
of obtaining supernatural assistance. It was early suggested by many
of the elderly inhabitants, that a fragment of the true Cross, or
_Lignum Crucis_, one of the most valuable relics possessed by the
cathedral of Seville, should be exhibited from the lofty tower called
_Giralda_; for they still remembered, when, at the view of that
miraculous splinter, myriads of locusts which threatened destruction
to the neighbouring fields, rose like a thick cloud, and conveyed
themselves away, probably to some infidel country. The _Lignum
Crucis_, it was firmly believed, would, in like manner, purify the
atmosphere, and put an end to the infection. Others, however, without
any disparagement to the holy relic, had turned their eyes to a
large wooden crucifix, formerly in great repute, and now shamefully
neglected, on one of the minor altars of the Austin Friars, without
the gates of the town. The effectual aid given by that crucifix in
the plague of 1649 was upon record. This wonderful image had, it
seems, stopped the infection, just when one half of the population
of Seville had been swept away; thus evidently saving the other half
from the same fate. On this ground, and by a most natural analogy,
the hope was very general, that a timely exhibition of the crucifix
through the streets, would give instant relief to the town.[27]
[27] See Note H.
Public-domain text, read in full here on John Shaqi.
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