There is an extreme eagerness in the Catholic professors of
celibacy, both male and female, to decoy young persons into the
toils from which they themselves cannot escape. With this view they
have disguised the awful ceremony which cuts off an innocent girl
from the sweetest hopes of nature, with the pomp and gaiety, which
mankind have unanimously bestowed on the triumph of legitimate love.
The whole process which condemns a female “to wither on the virgin
thorn,” and “live a barren sister all her life,” is studiously made
to represent a wedding. The unconscious victim, generally in her
fifteenth year, finds herself, for some time previous to her taking
the veil, the queen--nay, the idol of the whole community which has
obtained her preference. She is constantly addressed by the name of
bride, and sees nothing but gay preparations for the expected day of
her spiritual nuptials. Attired in a splendid dress, and decked with
all the jewels of her family and friends, she takes public leave of
her acquaintance; visits, on her way to the convent, several other
nunneries, to be seen and admired by the recluse inhabitants; and
even the crowd which collects in her progress, follows her with
tears and blessings. As she approaches the church of her monastery,
the dignified ecclesiastic who is to perform the ceremony, meets
the intended novice at the door, and leads her to the altar, amid
the sounds of bells and musical instruments. The monastic weeds
are blessed by the priest in her presence; and having embraced her
parents and nearest relations, she is led by the lady who acts as
bride’s-maid to the small door next to the double grating, which
separates the nuns’ choir from the body of the church. A curtain is
drawn while the abbess cuts off the hair of the novice, and strips
her of her worldly ornaments. On the removal of the curtain she
appears in the monastic garb, surrounded by the nuns bearing lighted
tapers, her face covered with the white veil of probationship,
fixed on the head by a wreath of flowers. After the Te Deum, or
some other hymn of thanksgiving, the friends of the family adjourn
to the _Locutory_, or visiting-room, where a collation of ices and
sweetmeats is served in the presence of the mock bride, who, with
the principal nuns, attends behind the grating which separates
the visitors from the inmates of the convent. In the more austere
nunneries the parting visit is omitted, and the sight of the novice
in the white veil, immediately after having her hair cut off, is the
last which, for a whole year, is granted to the parents. They again
see her on the day when she binds herself with the irrevocable vows,
never to behold her more, unless they should live to see her again
crowned with flowers, when she is laid in the grave.
Public-domain text, read in full here on John Shaqi.
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