The _Passion Sermons_ for the populace might be taken for a parody of the _Three Hours_. They are generally delivered, in the open air, by friars of the Mendicant Orders, in those parts of the city and suburbs which are chiefly, if not exclusively, inhabited by the lower classes. Such gay young men, however, as do not scruple to relieve the dulness of Good-Friday with a ride, and feel no danger of exposing themselves by any unseasonable laughter, indulge not unfrequently in the frolic of attending one of the most complete and perfect sermons of this kind, at the neighbouring village of Castilleja. A moveable pulpit is placed before the church door, from which a friar, possessed of a stentorian voice, delivers an _improved_ history of the Passion, such as was revealed to Saint Bridget, a Franciscan nun, who, from the dictation of the Virgin Mary, has left us a most minute and circumstantial account of the life and death of Christ and his mother. This yearly narrative, however, would have lost most of its interest but for the scenic illustrations which keep up the expectation and rivet the attention of the audience. It was formerly the custom to introduce a living Saint Peter--a character which belonged by a natural and inalienable right to the baldest head in the village--who acted the Apostle’s denial, swearing _by Christ_, he did not know the man. This edifying part of the performance is omitted at Castilleja; though a practised performer crows with such a shrill and natural note as must be answered with a challenge by every cock of spirit in the neighbourhood. The flourish of a trumpet announces, in the sequel, the publication of the sentence passed by the Roman governor; and the town crier delivers it with legal precision, in the manner it is practised in Spain, before an execution. Hardly has the last word been uttered, when the preacher, in a frantic passion, gives the crier the _lie direct_, cursing the tongue that has uttered such blasphemies.[40] He then invites an angel to contradict both Pilate and the Jews: when, obedient to the orator’s desire, a boy gaudily dressed, and furnished with a pair of gilt pasteboard wings, appears at the window, and proclaims the _true verdict of Heaven_. Sometimes in the course of the preacher’s narrative, an image of the Virgin Mary is made to meet that of Christ, on his way to Calvary, both taking an affectionate leave in the street. The appearance, however, of the Virgin bearing a handkerchief to collect a sum for her son’s burial, is never omitted, both because it melts the whole female audience into tears, and because it produces a good collection for the convent. The whole is closed by the _Descendimiento_, or unnailing a crucifix as large as life from the cross; an operation performed by two friars, who, in the character of Joseph of Arimathea and Nicodemus, are seen with ladders and carpenters’ tools, letting down the jointed figure, to be