The baffled Ministers, though not immediately dismissed, must have
felt the unsteadiness of the ground on which they stood, and dreaded
the revenge of an enemy, who had already shewn, in the case of
Admiral Malaspina, that he was both able and willing to wreak it on
the instruments of the Queen’s jealousy. That officer, an Italian by
birth, had just returned from a voyage round the globe, performed
at the expense of this Government, when the Queen, who found it
difficult to regulate the feelings of her husband towards Godoy, to
the sudden and rapid variations of her own, induced her confidant,
the Countess of Matallana, to engage him in drawing up a memorial to
the King, containing observations on the public and private conduct
of the favourite, and representing him in the blackest colours.
Malaspina was at this time preparing the account of his voyage for
publication, with the assistance of a conceited sciolist, a Sevillian
friar called Padre Gil, who, in our great dearth of real knowledge,
was looked upon as a miracle of erudition and eloquence. The Admiral,
putting aside his charts and log-books, eagerly collected every
charge against Godoy which was likely to make an impression upon the
King; while the friar, inspired with the vision of a mitre ready
to drop on his head, clothed them in the most florid and powerful
figures which used to enrapture his audience from the pulpit. Nothing
was now wanting but the Queen’s command to spring the mine under the
feet of the devoted Godoy, when the intended victim, informed of
his danger, and taking advantage of one of those soft moments which
made the Queen and all her power his own, drew from her a confession
of the plot, together with the names of the conspirators. In a few
days, Malaspina found himself conveyed to a fortress, where, with his
voyage, maps, scientific collections, and every thing relating to
the expedition, he remains completely forgotten; while the reverend
writer of the memorial was forwarded under an escort to Seville,
the scene of his former literary glory, to be confined in a house of
correction, where juvenile offenders of the lower classes are sent to
undergo a salutary course of flogging.
The Queen was preparing the dismissal of Saavedra and Jovellanos,
when a dangerous illness of the former brought forward a new actor in
the intricate drama of Court intrigue, who, had he known how to use
his power, might have worked the complete ruin of its hero.
Public-domain text, read in full here on John Shaqi.
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