There exist two Royal Academies--one for the improvement of the
Spanish Language, the other for the advancement of National History.
We owe to the former an ill-digested dictionary, with a very bad
grammar; and to the latter some valuable discourses, and an
incomplete geographical and historical dictionary. Had the _Spanish
Academy_ continued their early labours, and called in the aid of real
talent, instead of filling up the list of members with titled names,
which have made it ridiculous; their Dictionary might, without great
difficulty, have been improved into a splendid display of one of the
richest among modern languages; and the philosophical spirit of the
age would have been applied to the elucidation of its elements. That
Academy has published a volume of prize essays and poems, the fruits
of a very feeble competition, in which the poetry partakes largely
of the servility of imitation to which I have already alluded, and
the prose is generally stiff and affected. Our style, in fact, is, at
present, quite unsettled--fluctuating between the wordy pomposity of
our old writers, without their ease, and the epigrammatic conciseness
of second-rate French writers, stripped of their sprightliness and
graces. As long, however, as we are condemned to the dead silence in
which the nation has been kept for centuries, there is little chance
of fixing any standard of taste for Spanish eloquence. Capmany,
probably our best living philologist and prose writer, insists upon
our borrowing every word and phrase from the authors of the sixteenth
century, the golden age (as it is called) of our literature; while
the Madrid translators seem determined to make the Spanish language a
dialect of the French--a sort of _Patois_, unintelligible to either
nation. The true path certainly lies between both. The greatest part
of our language has been allowed to become vulgar or obsolete. The
languages which, during the mental progress of Europe, have been made
the vehicles and instruments of thought, have left ours far behind
in the powers of abstraction and precision; and the rich treasure
which has been allowed to lie buried so long, must be re-coined and
burnished, before it can be recognised for sterling currency. It is
neither by rejecting as foreign whatever expressions cannot be found
in the writers under the Austrian dynasty, nor by disfiguring our
idiom with Gallicisms, that we can expect to shape it to our present
wants and fashions. Our aim should be to think for ourselves in
our own language--to _think_, I say, and express our thoughts with
clearness, force, and precision; not to imitate the mere sound of
the empty periods which generally swell the pages of the old Spanish
writers.
Public-domain text, read in full here on John Shaqi.
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