Though this was our first visit to the Escurial, the disclosure which
had just been made to my friend, was of too important a nature to
leave us in a fit mood to enjoy the solemn grandeur of the structure
to which we were directing our steps, and the rude magnificence of
the surrounding scene. To be placed near one of the members of the
royal family, when that family had split into two irreconcileable
parties, and to be reckoned among the enemies of the heir apparent,
was, at once, to plunge headlong into the most dangerous vortex of
Court intrigue which had yet threatened to overwhelm the country. To
decline the offer, when the candidate’s name had in all probability
received the sanction of the Prince of the Peace, was to incur
suspicion from those who had arbitrary power in their hands. In this
awkward dilemma, our most flattering prospect was the acquittal
of the tutor, an event by no means improbable, considering the
well-known dulness of that grave personage, and the hints of the
approaching release of the Prince, which we had gathered from the
Colonel. We therefore proposed to divert our thoughts from the
subject of our fears by contemplating the objects before us.
The Escurial incloses within the circuit of its massive and lofty
walls, the King’s palace, the monastery, with a magnificent church,
and the Pantheon, or subterranean vault of beautiful marble,
surrounded with splendid sarcophagi, for the remains of the Spanish
Kings and their families. It stands near the top of a rugged
mountain, in the chain which separates Old from New Castille, and by
the side of an enormous mass of rock, which supplied the architect
with materials. It was the facility of quarrying the stone where it
was to be employed, that made the gloomy tyrant, Philip II., mark out
this wild spot in preference to others, equally sequestered and less
exposed to the fury of the winds, which blow here with incredible
violence. To have an adequate shelter from the blast, an ample
passage, well aired and lighted, was contrived by the architect from
the palace to the village.
Public-domain text, read in full here on John Shaqi.
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