Into this truly common-hall were we brought by the sound of the drum,
and soon learned from one of the loungers who sauntered about it,
that a company of strolling-players were in a short time to begin
their performance. This was good news indeed for us, who, unwilling
to go early to bed with a certainty of not being allowed to sleep,
dreaded the close of approaching night. The performance, we were
told, was to take place in an open court, where a cow-house, open
in front, afforded a convenient situation both for the stage and
the dressing-room of the actors. Having each of us paid the amount
of a penny and a fraction, we took our seats under a bright starry
sky, muffled up in our cloaks, and perfectly unmindful of the danger
which might arise from the extreme airiness of the theatre. A
horrible screaming fiddle, a grumbling violoncello, and a deafening
French-horn, composed the band. The drop-curtain consisted of four
counterpanes sewed together; and the scenes, which were red gambroon
curtains, hanging loose from a frame, and flapping in the wind, let
us into the secrets of the dressing-room, where the actors, unable to
afford a different person for every character, multiplied themselves
by the assistance of the tailor.
The play was _El Diablo Predicador_--“The Devil turned
Preacher”--one of the numerous dramatic compositions published
anonymously during the latter part of the Austrian dynasty. The
character of this comedy is so singular, and so much of the public
mind may be learned from its popularity all over the country, that I
will give you an abstract of the plot.
Public-domain text, read in full here on John Shaqi.
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