Letters of a Soldier, 1914-1915Lemercier, Eugène Emmanuel
History
Letters of a Soldier, 1914-1915
Lemercier, Eugène Emmanuel
World War, 1914-1918 -- Personal narratives, French
I feel as though I were recovering from typhoid fever. What I chiefly
enjoy is water; the running and the sleeping waters of the Meuse. The
springs play on weeds and pebbles. The ponds lie quiet under great
trees. Streams and waterfalls. On the steep hillsides the snow looks
brilliant and visionary. I live in all these things without forms of
words. And I am rather ashamed to be vegetating, though I think all must
pass through this phase, just removed from the hell of the front. I eat,
and when my horrid rheumatism allows, I sleep.
Don't be angry with my inferiority. I feel as though my armour had been
taken off. Well, I can't help it.
_5 o'clock._
I am a good deal tired by drill. But the fine air of the Meuse keeps me
in health. Dear mother, I wish I might always seek all that is noble and
good. I wish I might always feel within myself the inspiration that
urges towards the true treasures of life. But alas! just now I have a
mind of lead.
_March 14, Sunday morning,
in the Sabbath peace._
DEAREST MOTHER,--Your good, life-giving letters have come at last, after
my long privation, the price I paid for my enjoyment of rest. The pretty
town is waking in the haze of the river, the waters hurry over their
clean stones. All things have that look of moderation and charming
finish that is characteristic of this part of the country.
I read a little, but I am so overtired by the physical exertion to which
we are compelled, that I fall asleep on the instant. We are digging
trenches and trenches.
Dear mother, to go back to those wonderful times of the end of February,
I must repeat that my memory of them is something like that of an
experiment in science. I had conceived violence under a theoretic
formula; I had divined its part in the worlds. But I had not yet
witnessed its actual practice, except in infinitely small examples. And
now at last violence was displayed before me on such a scale that my
whole faculty of receptiveness was called upon to face it. Well, it was
interesting; and I may tell you that I never relaxed from my attitude of
cool and impersonal watchfulness. What I had kept about me of my own
individuality was a certain visual perceptiveness that caused me to
register the setting of things, a setting that dramatised itself as
'artistically' as in any stage-management. During all those minutes I
never relaxed in my resolve to see 'how it was.'
I was very happy to find that the 'intoxication of slaughter' never had
any possession of me. I hope it will always be so. Unfortunately,
contact with the German race has for ever spoilt my opinion of those
people. I cannot quite succeed in quelling a sensibility and a
humanitarianism that I know to be misplaced, and that would make me the
dupe of a treacherous enemy; but I have come to tolerate things which I
had held in abomination as the very negation of life.
Public-domain text, read in full here on John Shaqi.
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