As far as Monte Rosi we followed the same road as that by which I had
entered Rome, over the desolate Campagna. A church there, at the
entrance of the village, is of a pleasing form; it is a little
whitewashed thing, so that it wants the process of an artist’s mind in
separating the good from the bad, to discover that the form is
beautiful. The world in general is exceedingly unwilling to acknowledge
beauty of form when the material is bad, and on the other hand, where
the materials are good, it is very ready to praise the form also, if
that be anything tolerable; the one is a much more obvious and
indisputable merit than the other. In what the beauty of form in the
present case consists, I have not been able to determine. It is an
octagonal dome, with four projections below, forming a Greek cross, with
a little tower on each side of the entrance, inferior in height to the
dome. I call them towers and not turrets because they are continued down
to the ground, and turrets might be understood as only elevations raised
upon the front. Some lower buildings fill up the square, and at each
angle is a paltry little obelisk, not at all well shaped, yet certainly
contributing to the general beauty of the composition.
[Illustration: Illustration of church]
Just after leaving Monte Rosi we quitted the Siena road, and keeping to
the right, passed through fine groves of oak to Nepi, a town situated on
the edge of a deep ravine, and slept at Cività Castellana, which stands
on a point of land between two such ravines, deeper than that at Nepi,
and very wild and picturesque. The country here is intersected by
several of these inaccessible valleys, and the strength of the situation
gave birth to a conjecture that this must be the position of the ancient
Veii, which cost the Romans a ten years siege. There is a cathedral,
with a portico of small columns of granite and marble, and a mosaic
frieze something in the style of San Lorenzo _fuori delle mura_, at
Rome. The middle doorway is of the Lombard architecture, with two
columns on each side, the outermost of which are supported on two lions:
the inside has been modernized. At Cività Castellana I left two of my
companions: the next morning was very foggy, but I set out on foot
before the carriage, and crossed a bridge which must be at least 120
feet high, over one of the ravines. It consists of two ranges of arches,
and there was to have been a third, which would have kept the road up to
a level with the banks, but this has never been executed. A little
beyond I entered into conversation with a labourer going to reap for
some friends of his, as he told me, on land belonging to a convent just
by; he had first been a monk, then a soldier, and was now going to
labour for the love he bore to religion. He assured me that he possessed
a very fine picture by Giotto, but it was then at Viterbo; repeated some
verses of his own composition in praise of the English, and concluded
with asking me for charity.
Public-domain text, read in full here on John Shaqi.
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