This power of sketching is considered by some architects as a luxury of
the art, rather than as essential to the perfection of the artist; but
it appears to me of the greatest importance. The geometrical designs,
the measures both of the parts, and of the whole, he may obtain from
books; what he is particularly to study is the relation between these,
and the effect produced on his mind by the use of these measures; his
sketches are records of his own feelings, and therefore engravings would
not supply their place; even if we had good views, which is notoriously
not the case, of most of the admired buildings of Europe; nor is it
enough to consider a design merely from one point of view; it should be
examined from many points, and compared, mentally at least, with the
geometrical drawing. It is exactly that relation of cause and effect
which is the proper object of his study. As for figures, if he is making
drawings on a large scale, it will be better to apply to an artist, but
he cannot always do this, and ought to be able to supply them tolerably
well of himself. I do not in either case require that he should be a
finished artist, but merely that he should be able to express himself in
this language with intelligence and feeling. Some of these acquirements
are perhaps better attained in Paris than in London; and in consequence,
some of our artists, before travelling into Italy, have put themselves
for a year under the direction of a French architect, and frequented the
academy. The plan is a good one on many accounts, although perhaps many
parents might tremble, at leaving a young man, at an age when the
passions are strong, and reason weak, exposed without any shelter, to
the temptations of Paris. The propriety of this will depend very much on
the character and circumstances of the student, nor can I pretend to
give any advice on the subject. In point of architecture, every nation
has a manner of its own. Some peculiar defects would probably be avoided
by free intercourse with the artists of other countries, and the
instructions at the French academy are very good.
Public-domain text, read in full here on John Shaqi.
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