You will not suppose that I could reside at Naples, during the time of
the liquefaction of the blood of Saint Januarius, or San Gennajo, or
Gennaro, as he is called here, without going to witness this celebrated
miracle. I was at the cathedral on the 19th, but it did not succeed on
that day. The blood is exhibited for eight days successively, and it
rarely if ever happens that it melts every day: it would be making the
miracle too common. On the 26th I went again. There were many persons in
the chapel, but it was by no means full, and they readily admitted me
beyond the railing, into the inclosure by the altar. In a few minutes
the officer appeared with his keys, and opened the little cupboard
behind the altar, in which the blood is kept, and the priest took out
the vessel. I looked as attentively as I could, to see if there were any
appearance of ice in the cupboard, but I saw nothing. The outer vessel
is in the shape of a large circular snuff-box, with a glass top and
bottom: on one side is a handle, which appeared to be a hollow tube,
open at the bottom, and to have no connexion with the interior of the
vessel; opposite to this is a crown, and in the midst of the crown a
moveable crucifix, fixed only at the base, which falls about as the
vessel is held in different positions, but I do not think that either
the crown or the handle had any thing to do with the liquefaction.
Within this outer vessel are two vials, one very small, and spotted
internally with a dark substance which adheres to the glass, and which
may probably have been blood; this suffers no change: the other is a
larger vial, in the form of a flattened spheroid, with a short neck,
containing a dark looking substance, opake or nearly so, and forming a
level line at about two thirds of the height of the vial. After this
vessel was taken from its cupboard, it was placed upon a stand, and some
old women, who are said to be hired for that purpose, began to squall.
The silver bust of Saint Januarius was then produced, dressed in a
mitre, and other garments of the priesthood; and a cross suspended to a
collar of pearls was hung round his neck. This mitre was soon afterwards
changed for another, two nosegays of artificial flowers were stuck in
his breast; and thus adorned, he stood on the altar with his face
towards the people, during the whole of the ceremony. When this was
arranged, the officiating priest (I do not know whether it was the
archbishop,) resumed the vessel containing the blood, kissed it, put it
to his forehead, and kissed it again, as he had done on taking it out of
the cupboard, and began to recite a service. After the regular service
on the occasion, other prayers, &c. were added, since the blood shewed
yet no inclination of dissolving. Meanwhile the old women became more
and more noisy, their voices were elevated to the highest scolding
pitch, and one would imagine they were abusing all the saints in heaven,
instead of praying for mercy.
Public-domain text, read in full here on John Shaqi.
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