“Their names, their years spelt by the unlettered muse,
The place of fame and elegy supply;
And many a holy text around she strews,
That teach the rustic moralist to die.”
Then the villages are not collections of neat cottages, each with its
little garden, and its trim hedge, but of large, shabby, forlorn-looking
houses, disposed on each side of a narrow, crooked street, always
uneven, often stony, the remains of a former pavement, and where high,
stone walls shut out all view from the traveller.
I have been once to Pompei, but I do not intend to enter into any
particulars of that place, till I have obtained permission to make
drawings there, and have seen it more at leisure. I will, however, give
you some account of my excursion. The first object on the road is
Portici, where the kings of Naples have erected a palace, and where
there is a museum, consisting almost exclusively of paintings discovered
at Herculaneum, Stabia, and Pompei; the other articles having now been
mostly removed to Naples.[25] Some of them are very beautifully
designed, and many of the ornaments are highly elegant. The figures in
general are spirited and graceful, but the drawing is by no means exact
in the detail.
In the old part of the palace, the apartments are very tawdry; one room
is entirely lined with porcelain, with representations of figures and
landscapes; the effect is ugliness, but those fitted up by Murat for
himself and his queen are very beautiful.
At Herculaneum nothing is shown but the Theatre, and that by
torch-light, as it is entirely subterraneous, and the whole consequently
cannot be displayed at once; but we trace the disposition as well as we
can, as we reach the different parts separately, by means of passages
cut in the rock. This is not a lava, but a hard tufo, formed by the
concretion of the small substances thrown out by the volcano, and
afterwards apparently consolidated by water. It has very accurately
adapted itself to the form of the walls and vaults of the ancient city.
Not only have the excavations ceased, but some parts which were dug out
have been filled up again for fear of injury to the town, and
particularly to the palace above.
Public-domain text, read in full here on John Shaqi.
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