There are two particulars relating to the Propylæa, and to the works
about them, which I have not yet mentioned. We see in various places
remains of piers and walls of a very ancient masonry, of limestone, and
not of marble; apparently earlier than the time of Pericles; there is
such a fragment under the north-west angle of the northern wing of the
Propylæa, whose lines not exactly corresponding with those of the work
above, prove that they did not form part of that design. The base of the
pier which contains the inscription to Agrippa, is of a grayish slaty
marble, not used in the upper parts, and this perhaps may also be more
ancient than the pier it supports.
The other circumstance is, that the work has not been completely
finished, and that we are thereby enabled to trace the mode of
execution. It appears that the Athenians worked the marble to an even,
but not a very smooth face, with a toothed chisel, before they placed
the blocks in the work, and that they afterwards went over the whole
exposed surface, and finished it to the greatest smoothness and nicety,
but without polish, taking off in this operation about one fifth of an
inch; and this has been the practice on the horizontal, as well as on
the upright surfaces, for the columns of the Propylæa are sunk in to
about that depth below the general level. The place intended for their
reception was sunk before the lower cylinders were placed, and lest any
inconvenience should arise from the wet remaining there, before the
building was completed, a small channel has been cut from the recess to
carry off the water. In the steps, the adjoining faces are carefully
finished at the internal angles, but both are left rough at the external
angles, by which means the accidents and wear which take place during
the execution of the work, would rarely be of any consequence.
Public-domain text, read in full here on John Shaqi.
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