After my speculations on the ancient, I should like to give you some account of the modern productions, but my idea of Turkish architecture is very imperfect, and will probably remain so, as the only place in which it can be appreciated is Constantinople. Yet in what I have seen there are some beautiful particulars, though perhaps, even more than in Italy, they are beauties of a hot climate. The stables, and some of the offices, are on the ground-floor. In our own lodging, the stoves for cooking are under the steps which ascend externally to the upper apartments. The rooms of the master of the family, and many also of those appropriated to the servants are on the first floor. There is occasionally a low story, or mezzanine, between the basement and the principal rooms, but never anything over the latter, except that in large houses there is sometimes a sort of tower rising above the general roof, and containing one large room with windows on three sides, or perhaps all round it. Such a room as this, was the hall with twenty-four windows which terminated the palace of Aladdin in the Arabian Nights. The best house I have seen is that of the bey of Corinth; the principal part of the building is in the form of the letter L, forming two sides of a square, and in the corner is a flight of steps leading to the gallery and the principal floor. This gallery is never omitted in any decent house; it is always of wood, and the principal rooms open immediately into it. Our verandas seem to be imitated from it, but its greater depth, and projecting roof, with deeply ornamented eaves, render it much superior in effect. The entrance into this palace, like that of other houses, is by a court, but externally, the walls rise immediately on the summit of a steep, rocky bank, below which are the gardens, and it thus commands a view of the plain and gulf of Corinth, and the situation is very good both for seeing and being seen; though the almost naked plain of Corinth does not form a very fine foreground. Underneath the gallery, in the court, is a range of arches, which in England you might call Saxon, supported on short, round pillars, which do not correspond with the posts of the gallery above. The walls of this gallery have been ornamentally painted, but the painting and ornaments are almost gone. Beyond the part now described is a range of offices, and beyond these the women’s apartments, which are of course invisible.