If you ever happen to come to Venice it will be the best thing in your life. You ought to see the glass here! Your bottles [Footnote: His brother Ivan was teaching in a school attached to a glass factory.] are so hideous compared with the things here, that it makes one sick to think of them. I will write again; meanwhile, good-bye. TO MADAME KISELYOV. VENICE, March 25. I am in Venice. You may put me in a madhouse. Gondolas, St. Mark’s Square, water, stars, Italian women, serenades, mandolins, Falernian wine--in fact all is lost! Don’t remember evil against me. The shade of the lovely Desdemona sends a smile to the District Captain. Greetings to all. ANTONIO. The Jesuits send their love to you. TO HIS SISTER, VENICE, March 25, 1891. Bewitching blue-eyed Venice sends her greetings to all of you. Oh, signori and signorine, what an exquisite town this Venice is! Imagine a town consisting of houses and churches such as you have never seen; an intoxicating architecture, everything as graceful and light as the birdlike gondola. Such houses and churches can only be built by people possessed of immense artistic and musical taste and endowed with a lion-like temperament. Now imagine in the streets and alleys, instead of pavement, water; imagine that there is not one horse in the town; that instead of cabmen you see gondoliers on their wonderful boats, light, delicate long-beaked birds which scarcely seem to touch the water and tremble at the tiniest wave. And all from earth to sky bathed in sunshine. There are streets as broad as the Nevsky, and others in which you can bar the way by stretching out your arms. The centre of the town is St. Mark’s Square with the celebrated cathedral of the same name. The cathedral is magnificent, especially on the outside. Beside it is the Palace of the Doges where Othello made his confession before the senators. In short, there is not a spot that does not call up memories and touch the heart. For instance, the little house where Desdemona lived makes an impression that is difficult to shake off. The very best time in Venice is the evening. First the stars; secondly, the long canals in which the lights and stars are reflected; thirdly, gondolas, gondolas, and gondolas; when it is dark they seem to be alive. Fourthly, one wants to cry because on all sides one hears music and superb singing. A gondola glides up hung with many-coloured lanterns; there is light enough for one to distinguish a double-bass, a guitar, a mandolin, a violin.... Then another gondola like it.... Men and women sing, and how they sing! It’s quite an opera. Fifthly, it’s warm.