Letters of Anton Chekhov to His Family and FriendsChekhov, Anton Pavlovich
General
Letters of Anton Chekhov to His Family and Friends
Chekhov, Anton Pavlovich
Authors, Russian -- 19th century -- Correspondence; Chekhov, Anton Pavlovich, 1860-1904 -- Correspondence
Well, now I am all right again. I am doing nothing because I intend to set
to work. I dig in the garden. You write that for you, little people, the
future is wrapped in mystery. I had a letter from your chief Nemirovitch
not long ago. He writes that the company is going to be in Sevastopol, then
in Yalta at the beginning of May: in Yalta there will be five performances,
then evening rehearsals. Only the precious members of the company will
remain for the rehearsals, the others can have a holiday where they please.
I trust that you are precious. To the director you are precious, to the
author you are priceless. There is a pun for a titbit for you. I won’t
write another word to you till you send me your portrait.
Thank you for your good wishes in regard to my marriage. I have informed my
_fiancee_ of your design of coming to Yalta in order to cut her out a
little. She said that if “that horrid woman” comes to Yalta, she will hold
me tight in her embrace. I observed that to be embraced for so long in hot
weather was not hygienic. She was offended and grew thoughtful, as though
she were trying to guess in what surroundings I had picked up this _facon
de parler_, and after a little while said that the theatre was an evil
and that my intention of writing no more plays was extremely laudable--and
asked me to kiss her. To this I replied that it was not proper for me to be
so free with my kisses now that I am an academician. She burst into tears,
and I went away.
In the spring the company will be in Harkov too. I will come and meet you
then, only don’t talk of that to anyone. Nadyezhda Ivanovna has gone off to
Moscow.
TO A. S. SUVORIN.
YALTA,
February 12, 1900.
I have been racking my brains over your fourth act, and have come to no
conclusion except, perhaps, that you must not end it up with Nihilists.
It’s too turbulent and screaming; a quiet, lyrical, touching ending would
be more in keeping with your play. When your heroine begins to grow old
without arriving at anything or deciding anything for herself, and sees
that she is forsaken by all, that she is uninteresting and superfluous,
when she understands that the people around her were idle, useless, bad
people (her father too), and that she has let her life slip--is not that
more dreadful than the Nihilists?
Public-domain text, read in full here on John Shaqi.
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