Letters of Anton Chekhov to His Family and FriendsChekhov, Anton Pavlovich
General
Letters of Anton Chekhov to His Family and Friends
Chekhov, Anton Pavlovich
Authors, Russian -- 19th century -- Correspondence; Chekhov, Anton Pavlovich, 1860-1904 -- Correspondence
Your article in the Nizhni-Novgorod Listok was balm to my soul. What a
talented person you are! I can’t write anything but belles-lettres, you
possess the pen of a journalist as well. I thought at first I liked the
article so much because you praise me in it; afterwards it came out that
Sredin and his family and Yartsev were all delighted with it. So peg away
at journalism. God bless you!
Why don’t they send me “Foma Gordeyev”? I have read it only in bits, and
one ought to read it straight through at a sitting as I have just read
“Resurrection.” Except the relations of Nehludov and Katusha, which are
somewhat obscure and made up, everything in the novel made the impression
of strength, richness, and breadth, and the insincerity of a man afraid of
death and refusing to admit it and clutching at texts and holy Scripture.
Write to them to send me “Foma.”
“Twenty-six Men and a Girl” is a good story. There is a strong feeling of
the environment. One smells the hot rolls.
They have just brought your letter. So you don’t want to go to India?
That’s a pity. When India is in the past, a long sea voyage, you have
something to think about when you can’t get to sleep. And a tour abroad
takes very little time, it need not prevent your going about in Russia on
foot.
I am bored, not in the sense of _weltschmerz_, not in the sense of
being weary of existence, but simply bored from want of people, from want
of music which I love, and from want of women, of whom there are none in
Yalta. I am bored without caviare and pickled cabbage.
I am very sorry that apparently you have given up the idea of coming to
Yalta. The Art Theatre from Moscow will be here in May. It will give five
performances and then remain for rehearsals. So you come, study the stage
at the rehearsals, and then in five to eight days write a play, which I
should welcome joyfully with my whole heart.
Yes, I have the right now to insist on the fact that I am forty, that I am
a man no longer young. I used to be the youngest literary man, but you have
appeared on the scene and I became more dignified at once, and no one calls
me the youngest now.
TO V. A. POSSE.
YALTA,
February 15, 1900.
MUCH RESPECTED VLADIMIR ALEXANDROVITCH,
“Foma Gordeyev” and in a superb binding too is a precious and touching
present; I thank you from the bottom of my heart. A thousand thanks! I have
read “Foma” only in bits, now I shall read it properly. Gorky should not be
published in parts; either he must write more briefly, or you must put him
in whole as the _Vyestnik Evropy_ does with Boborykin. “Foma,” by the
way, is very successful, but only with intelligent well-read people--with
the young also. I once overheard in a garden the conversation of a lady
(from Petersburg) with her daughter: the mother was abusing the book, the
daughter was praising it....
YALTA,
February 29, 1900.
Public-domain text, read in full here on John Shaqi.
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