Letters of Edward FitzGerald, in Two Volumes. Vol. 1FitzGerald, Edward
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Letters of Edward FitzGerald, in Two Volumes. Vol. 1
FitzGerald, Edward
Authors, English -- 19th century -- Correspondence; FitzGerald, Edward, 1809-1883 -- Correspondence
MY DEAR ALLEN,
. . . I suppose by a 'Minster Pool' in Lichfield you mean a select
coterie of Prebends, Canons, etc. These would never trouble me. I
should much prefer the society of the Doctor, the Lawyer (if tolerably
honest) and the singing men. I love a small Cathedral town; and the
dignified respectability of the Church potentates is a part of the
pleasure. I sometimes think of Salisbury: and have altogether long had
an idea of settling at forty years old. Perhaps it will be at
Woodbridge, after all!
_To F. Tennyson_.
BOULGE, _May_ 4, 1848.
MY DEAR FREDERIC,
When you talk of two idle men not taking the trouble to keep up a little
intercourse by letters, you do not, in conscience, reflect upon me; who,
you know, am very active in answering almost by return of post. It is
some six months since you must have got my last letter, full of most
instructive advice concerning my namesake; of whom, and of which, you say
nothing. How much has he borrowed of you? Is he now living on the top
of your hospitable roof? Do you think him the most ill-used of men? I
see great advertisements in the papers about your great Grimsby Railway.
. . . Does it pay? does it pay all but you? who live only on the fine
promises of the lawyers and directors engaged in it? You know England
has had a famous winter of it for commercial troubles: my family has not
escaped the agitation: I even now doubt if I must not give up my daily
two-pennyworth of cream and take to milk: and give up my Spectator and
Athenaeum. I don't trouble myself much about all this: for, unless the
kingdom goes to pieces by national bankruptcy, I shall probably have
enough to live on: and, luckily, every year I want less. What do you
think of my not going up to London this year; to see exhibitions, to hear
operas, and so on? Indeed I do not think I shall go: and I have no great
desire to go. I hear of nothing new in any way worth going up for. I
have never yet heard the famous Jenny Lind, whom all the world raves
about. Spedding is especially mad about her, I understand: and, after
that, is it not best for weaker vessels to keep out of her way? Night
after night is that bald head seen in one particular position in the
Opera house, in a stall; the miserable man has forgot Bacon and
philosophy, and goes after strange women. There is no doubt this lady is
a wonderful singer; but I will not go into hot crowds till another Pasta
comes; I have heard no one since her worth being crushed for. And to
perform in one's head one of Handel's choruses is better than most of the
Exeter Hall performances. I went to hear Mendelssohn's Elijah last
spring: and found it wasn't at all worth the trouble. Though very good
music it is not original: Haydn much better. I think the day of
Oratorios is gone, like the day for painting Holy Families, etc. But we
cannot get tired of what has been done in Oratorios more than we can get
tired of Raffaelle. Mendelssohn is really original and beautiful in
Public-domain text, read in full here on John Shaqi.
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