Letters of Edward FitzGerald, in Two Volumes. Vol. 2FitzGerald, Edward
General
Letters of Edward FitzGerald, in Two Volumes. Vol. 2
FitzGerald, Edward
Authors, English -- 19th century -- Correspondence; FitzGerald, Edward, 1809-1883 -- Correspondence
. . . I bought Clemencin's Quixote after all: but have looked little into
him as yet, as I had finished my last Reading of the Don before he came . . .
I fear his Notes are more than one wants about errors, or
inaccuracies of Style, etc. Cervantes had some of the noble carelessness
of Shakespeare, Scott, etc., as about Sancho's stolen Dicky. {202} But
why should Clemencin, and his Predecessors, decide that Cervantes changed
the title of his second Part from 'Hidalgo' to 'Caballero' from
negligence? Why should he not have intended the change for reasons of
his own? Anyhow, they should have printed the Title as he printed it,
and pointed out what they thought the oversight in a Note. This makes
one think they may have altered other things also: which perhaps I shall
see when I begin another Reading: which (if I live) won't be very far
off. I think I almost inspired Alfred Tennyson (who suddenly came here a
Fortnight ago) to begin on the Spanish. Yes: A. T. called one day, after
near twenty years' separation, and we were in a moment as if we had been
together all that while. He had his son Hallam with him: whom I liked
much: unaffected and unpretentious: so attentive to his Father, with a
humorous sense of his Character as well as a loving and respectful. It
was good to see them together. We went one day down the Orwell and back
again by Steamer: but the weather was not very propitious. Altogether, I
think we were all pleased with our meeting.
_To C. E. Norton_.
WOODBRIDGE. _Novr._ 8/76.
MY DEAR SIR,
'Vita Nuova' reached me safe, and 'siempre verde,' untarnished by its
Voyage. I am afraid I liked your account of it more than itself: I mean,
I was more interested: I suppose it is too mystical for me. So I felt
when I tried to read it in the original twenty years ago: and I fear I
must despair of relishing it as I ought now I have your Version of it,
which, it seems to me, must be so good. I don't think you needed to
bring in Rossetti, still less Theodore Martin, to bear Witness, or to put
your Work in any other Light than its own.
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