bees’ comb impression. At the top was a long verandah shaded from the
sun, and here the Boondi Treasury worked, under the guidance of a
grey-haired old man, whose sword lay by the side of his comfortably
wadded cushion. He controlled twenty or thirty writers, each wrapped
round a huge, country paper account-book, and each far too busy to raise
his eyes.
The babble on the staircase might have been the noise of the sea so far
as these men were concerned. It ebbed and flowed in regular beats, and
spread out far into the courtyard below. Now and again the
_click-click-click_ of a scabbard tip being dragged against the wall,
cut the dead sound of trampling naked feet, and a soldier would stumble
up the narrow way into the sun-light. He was received, and sent back or
forward by a knot of keen-eyed loungers, who seemed to act as a buffer
between the peace of the Secretariat and the pandemonium of the
Administrative. Saises and grass-cutters, mahouts of elephants, brokers,
mahajuns, villagers from the district, and here and there a shock-headed
aborigine, swelled the mob on and at the foot of the stairs. As they
came up, they met the buffer-men who spoke in low voices, and appeared
to filter them according to their merits. Some were sent to the far end
of the verandah, where everything melted away in a fresh crowd of dark
faces. Others were sent back, and joined the detachment shuffling for
shoes in the _chowk_. One servant of the Palace withdrew himself to the
open, underneath the verandah, and there sat yapping from time to time
like a hungry dog:--“The grass! The grass! The grass!” But the men with
the account-books never stirred. Other men knelt down in front of them
and whispered. And they bowed their heads gravely and made entry or
erasure, turning back the rustling leaves. Not often does a reach of the
River of Life so present itself that it can without alteration be
transferred to canvas. But the Treasury of Boondi, the view up the long
verandah, stood complete and ready for any artist who cared to make it
his own. And by that lighter and less malicious irony of the Fate, who
is always giving nuts to those who have no teeth, the picture was
clinched and brought together by a winking, brass hookah-bowl of quaint
design, pitched carelessly upon a roll of dull-red cloth full in the
foreground. The faces of the accountants were of pale gold, for they
were an untanned breed, and the face of the old man their controller was
like frosted silver.
Public-domain text, read in full here on John Shaqi.
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