From the Rutton Daulat the warden unlocked doors that led into a hall of audience--the Chutter Mahal--built by Raja Chutter Lal, who was killed more than two hundred years ago in the latter days of Shah Jehan for whom he fought. Two rooms, each supported on double rows of pillars, flank the open space, in the centre of which is a marble reservoir. Here the Englishman looked anxiously for some of the atrocities of the West, and was pleased to find that, with the exception of a vase of artificial flowers and a clock, both hid in _mihrabs_, there was nothing that jarred with the exquisite pillars, and the raw blaze of colour in the roofs of the rooms. In the middle of these impertinent observations, something sighed--sighed like a distressed ghost. Unaccountable voices are at all times unpleasant, especially when the hearer is some hundred feet or so above ground in an unknown Palace in an unknown land. A gust of wind had found its way through one of the latticed balconies, and had breathed upon a thin plate of metal, some astrological instrument, slung gong-wise on a tripod. The tone was as soft as that of an Aeolian harp, and, because of the surroundings, infinitely more plaintive. There was an inlaid ivory door, set in lintel and posts crusted with looking-glass--all apparently old work. This opened into a darkened room where there were gilt and silver charpoys, and portraits, in the native fashion, of the illustrious dead of Boondi. Beyond the darkness was a balcony clinging to the sheer side of the Palace, and it was then that the Englishman realised to what a height he had climbed without knowing it. He looked down upon the bustle of the Treasury and the stream of life flowing into and out of the Gate of the Fishes where the big _nakarras_ lie. Lifting his eyes, he saw how Boondi City had built itself, spreading from west to east as the confined valley became too narrow and the years more peaceable. The Boondi hills are the barrier that separates the stony, uneven ground near Deoli from the flats of Kotah, twenty miles away. From the Palace balcony the road to the eye is clear to the banks of the Chumbul river, which was the Debatable Ford in times gone by and was leaped as all rivers with any pretensions to a pedigree have been, by more than one magic horse. Northward and easterly the hills run out to Indurgarh, and southward and westerly to territory marked “disputed” on the map in the present year of grace. From this balcony the Raja can see to the limit of his territory eastward, like the good King of Yves his empire is all under his hand. He is, or the politicals err, that same Ram Singh who was installed by Tod in 1821, and for whose success in killing his first deer, Tod was, by the Queen-Mother of Boondi, bidden to rejoice. To-day the people of Boondi say:--“This Durbar is very old, so old that few men remember its beginning, for they were in our father’s time.” It is related also of