Jodhpur has the five-coloured flag, with a falcon, in which shape Durga, the patron Goddess of the State, has been sometimes good enough to appear. She has perched in the form of a wagtail on the howdah of the Chief of Jeysulmir, whose shield is blazoned with “forts in a desert land,” and a naked left arm holding a broken spear, because, the legend goes, Jeysulmir was once galled by a horse with a magic spear. They tell the story to-day, but it is a long one. The supporters of the shield--this is canting heraldry with a vengeance!--are antelopes of the desert spangled with gold coin, because the State was long the refuge of the wealthy bankers of India. Bikanir, a younger House of Jodhpur, carries three white hawks on the five-coloured flag. The patron Goddess of Bikanir once turned the thorny jungle round the city to fruit-trees, and the crest therefore is a green tree--strange emblem for a desert principality. The motto, however, is a good one. When the greater part of the Rajput States were vassals of Akbar, and he sent them abroad to do his will, certain Princes objected to crossing the Indus, and asked Bikanir to head the mutiny because his State was the least accessible. He consented, on condition that they would all for one day greet him thus:--“_Jey Jangal dar Badshah!_” History shows what became of the objector and Bikanir’s motto:--“Hail to the King of the Waste!” proves that the tale _must_ be true. But from Boondi to Bikanir is a long digression, bred by blissful idleness on the bund of the Burra. It would have been sinful not to let down a line into those crowded waters, and the Guards, who were Mahomedans, said that if the Sahib did not eat fish, they did. And the Sahib fished luxuriously, catching two and three pounders, of a perch-like build, whenever he chose to cast. He was wearied of schools and dispensaries, and the futility of heraldry accorded well with laziness--that is to say Boondi. It should be noted, none the less, that in this part of the world the soberest mind will believe anything--believe in the ghosts by the Gow Mukh, and the dead Thakurs, who get out of their tombs and ride round the Burra Talao at Boondi--will credit every legend and lie that rises as naturally as the red flush of sunset, to gild the dead glories of Rajasthan. XVII. _Shows that there may be Poetry in a Bank, and attempts to show the Wonders of the Palace of Boondi._