Letters of Peregrine PickleUpton, George P. (George Putnam)
General
Letters of Peregrine Pickle
Upton, George P. (George Putnam)
Chicago (Ill.) -- Social life and customs -- 19th century -- Fiction
And it will agree with you, Celeste, also. You didn't look well
sitting in black, picking fish bones. I knew all the time you
were thinking of the flesh pots. It is useless for you to try to
convince me that you have been an angel for the past six weeks. It
won't do. There is not the slightest sign of a pin feather, even,
on your pretty white shoulders. You are essentially human. I know
that, eating your lentils, you sighed for the salads, and filets,
and Burgundy. I know that, in your suit of serge, your eyes were
prospectively fixed upon the new spring hat and all the pretty petals
which would unfold about you on Easter, and turn you into a lily, to
blossom to-morrow, in accordance with the provisions of the Council
of Nice.
Isn't it nice?
When you kept saying to yourself, all through Lent, that you were
a poor, weak, miserable creature, and that there was nothing but
vanity in the world, I know you excepted that delightful fellow in
black hair, with a divine moustache and taper fingers, who looked
unutterably pretty things at you over the top of his prayer-book,
divided his responses between you and Parson Primrose, and wore a
diamond ring on his third finger, which he managed, somehow, to keep
directly in the light which streamed through St. John on the stained
window.
You are now absolved, my dear Celeste. Go in and sin just a little,
and prove your humanity. You are not made to be an angel, but "a
little lower than the angels," you know. Undrape your pretty rounded
shoulders. Pile up your chignon. Put on those darling white slippers,
which leave footsteps almost as small as those of the robins in
the early spring. No more cypress and rue on your corsage, but the
wicked camelia, and the flaunting azalia. Set your slow monastic
march to a quicker _tempo_ and, _voila_, the German. Sound fiddles
and blow trombones, for Capuchin is now Columbine, and the gilded
doors of Fashion swing quickly open for the maskers to enter. It is
a merry procession. Sly glances flash through the masks, and there
are rounded outlines in the dominoes. Bells tinkle on the gay robes.
Who is who? What matters it, so you keep the masks on? Of course, the
black mask, now and then, will enter and beckon to one or the other
of us to come out with him to the anteroom and take off our masks,
preparatory to a long journey with him.
Heigh ho! We shall never come back to the gay scene; but the revel
will go on just the same as if you and I had never been in the set.
The fiddles will only play a little more _forte_, just loud enough to
drown the dirge outside, and we shall go into the dreamless sleep,
and grope our way through the shadowy land to the light beyond. Pray
God, we all lay ourselves down like true ladies and gentlemen, and
that the bugles sing peace over us with all the world.
Public-domain text, read in full here on John Shaqi.
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