Letters of Peregrine PickleUpton, George P. (George Putnam)
General
Letters of Peregrine Pickle
Upton, George P. (George Putnam)
Chicago (Ill.) -- Social life and customs -- 19th century -- Fiction
and he goes through the world with his little _repertoire_ of "The
Calf of Gold," "Infelice," "O mio Palermo," "The Last Man," and the
"Wanderer," a very Ishmael of wretchedness, and a howling Dervish
of despair. He drinks beer, and all sorts of fiery damnations, eats
sausage and kraut with impunity, and smokes villainous tobacco in
short clay pipes. He despises the razor and eschews the little
weaknesses of kids and patent leathers. The tenor is the nightingale;
he is the crow. The tenor is the beloved of women, but for him no
serenade, no face in the lattice shaming the moon with its brightness
and beauty. I pray, therefore, all gentlefolk to deal kindly with the
basso, and make his rough road as smooth as possible, for it is as
inevitable as fate that he will live to an hundred years of age, and
sing every blessed day of the century, and will finally be gathered
to his fathers, singing as he goes.
And, as he goes singing to his fathers, I have another topic of which
he reminds me. As I sit here writing, some poor fellow, who has got
through with the troubles of the world, is going home to sleep under
the turf, which is now so restless with all the quick impulses of
spring-life, and which will soon weave a green and flower-embroidered
counterpane above him. A band is playing a dirge, the wail and
melancholy rhythm of which fall unheeded upon his ears, forever
closed to the sweet sounds of the earth. To me, there is something
ineffably sad in the playing of a dirge in the open air. The funereal
solemnity of the music contrasts so strangely with the beauty of
the clear heavens and the joyous life of nature, and interweaves an
_Andante_ so unexpectedly in the _Scherzo_ of the din and jargon of
the busy street life, that I cannot keep the tears out of my eyes,
and I cannot but pause for a minute, on my journey, to think. And
I think of the day when I shall drop out of the comedy of life and
some one else will take up my part and go on with it, as if I had
never been in the play at all. I think that, some bright morning,
A will meet B on the street and say: "Did you know that ---- died
yesterday?" "No! Is that so? What was the matter with him?" And then
the two will talk of grain and corner lots, for it was only a bubble
that disappeared on the great tide of humanity, ever flowing from one
eternity to another. I wonder if anyone will remember me from one
spring-birth of flowers to another. And I think of those standing
about me, with their hearts beating to the time of the dirges, and
with each pulsation approaching a step nearer to the long sleep. And,
somehow, although the dirge saddens me, by sending a shadow across
the brightness of the sunny day, I think I feel the better for having
heard it.
Public-domain text, read in full here on John Shaqi.
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