Letters of Peregrine PickleUpton, George P. (George Putnam)
General
Letters of Peregrine Pickle
Upton, George P. (George Putnam)
Chicago (Ill.) -- Social life and customs -- 19th century -- Fiction
Boston has been in a flutter of agitation and excitement to-day; for,
truth to say, Boston herself has not been over sanguine as to the
success of the Jubilee. It is probable that not a person in the city
has regarded the experiment in the light of an unquestioned success,
except Mr. Gilmore, in whose fertile brain the Jubilee was conceived,
and by whom it has been pushed forward, in the face of obstacles,
to a successful birth. When Mr. Gilmore offered the Jubilee to New
York, the Manhattanites laughed at him, and gently insinuated that
he had gone clean daft, whereupon Mr. Gilmore took his embryonic
Jubilee to Boston, and, undaunted by obstacles, and unannoyed by
the gibes and jeers of the faithless, he worked in season and out
of season, put this wheel and that wheel together, got this man and
that man interested in it, melted even the adamantine hearts of the
musicians themselves, and at last got his project so far advanced
that it became a matter of city pride to put the municipal shoulder
to the wheel and help Gilmore out with his mammoth undertaking. And
Boston did help him right royally. Once provided with the ducats and
with the collaterals, which guaranteed him financial safety, the
foundations of the enterprise were laid, and the superstructure grew
rapidly. Singers and instruments, big singers and little singers,
big fiddles and little fiddles, poured in as fast and as thick as
the dogs and cats in Beard's picture. I myself saw, riding on a boat
of Commodore Fisk's, from New York to Fall River, _en route_ to the
Jubilee, sixty double basses ranged along on the deck, like coffins
swathed in green bags, and to-day I saw them again manipulated in the
vast orchestra, to show that I do not lie.
The material was, at last, all in his hands, and the material was
composed of one thousand instruments--a big organ, ten thousand
singers, a Coliseum, and sundry properties by way of appendices, such
as a battery of artillery, church bells, and anvils. And the question
immediately arose:
What will he do with them?
Public-domain text, read in full here on John Shaqi.
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