Letters of Peregrine PickleUpton, George P. (George Putnam)
General
Letters of Peregrine Pickle
Upton, George P. (George Putnam)
Chicago (Ill.) -- Social life and customs -- 19th century -- Fiction
_Stringed._ _Wind._
First Violins 115 | Flutes 8
Second Violins 100 | Clarionets 8
Violoncellos 65 | Oboes 8
Violas 65 | Bassoons 8
Double Basses 85 | Horns 12
---- | Trumpets 8
430 | Trombones 9
74 | Tubas 3
---- | Drums 10
Total, 504 | --
74
The grand orchestra is composed of the following instruments, in
addition to those specified above:
Piccolos and Flutes 25
E-flat Clarionets 20
B-flat Clarionets 50
E-flat Cornets 50
B-flat Cornets 75
E-flat Alto Horns 75
B-flat Tenor Horns 25
Tenor Trombones 50
Bass Trombones 25
B-flat Baritones 25
E-flat Basso Tubas 75
Small Drums 50
Bass Drums 25
Cymbals 10
Triangles 10
----
590
Chorus Orchestra 504
----
Total 1094
The players and singers are all in their places. The organ sounds a
few chords, and the players tune their instruments therefrom. Ole
Bull comes in and takes his seat at the head of the first violinists,
amid applause from all parts of the house, and the veteran Norwegian
cavalier sits there, with his bow upon his violin, as straight and as
lordly as one of his own pines, watching the conductor with flashing
eyes. It is Mr. Gilmore who has just followed him, and as he takes
the stand, enthusiasm breaks out in every part of the vast building,
and the applause is loud and long. When it has subsided, he raises
his baton. The chorus rises, and there is something stirring even
in the rising of such a vast throng. The audience is hushed, and,
for an instant, there is perfect stillness. The baton descends, and
chorus, orchestra and organ sound in a mighty chord of harmony the
opening note of Martin Luther's grand old choral. As they sweep
along through its slow and solemn movement as regularly as the swing
of a pendulum, the organ's mighty diapason upholding the whole and
keeping them together, it is like the voice of many waters. It is not
a chaos of noise, as I had dreamed it would be; not a mere volume
of sound without music. The voices come to you blended together as
the sounds of nature--the songs of the birds, the blasts of the
winds and the rushings of the torrents--blend. The instruments are
powerful, but smooth. In that vast array you lose the scrape of the
strings and the blare of the brasses. They are toned down into pure
Public-domain text, read in full here on John Shaqi.
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